To wind up this series of what I found in my art folders I have decided to show some sketches – people, plants, animals, and objects – which I drew in and around my house. I have always loved using graphite pencil and this aluminium teapot was a perfect object to draw, given its shape and sheen. I really like the contrast of light and cast shadow. I must have placed the teapot near the edge deliberately so the curve of the table showed in the composition. Continue reading
I came across more illustrations in one of my art pads; images I planned as part of a children’s picture book called Toby and the Tuatara. (see above). As in Flora’s story (2 posts back), I forwarded this work to a publisher. Again, there was praise for my illustrations, and a polite reason as to why the story did not fit their ‘lists’. I was subdued, maybe a little sad, that my stories were not considered good enough for publication. But did I let it bug me? Continue reading
As I pulled art pad after art pad from my folder and turned the leaves, I smiled, laughed and occasionally grimaced. I found sketches of my children, pets, and articles from around the house. The more I looked the more I realised the stories I’d been telling through my art. One story was perfectly clear. Continue reading
A few years ago, my husband and I lived for a year in Hong Kong, in an apartment on the Chinese University campus in Shatin. I looked for something to do with my time while my husband was teaching and began tutoring children after school in drawing skills. One fourteen-year-old girl was passionate about art, and she was a delight to have around. Flora was already very skilled in traditional watercolour, but wished to extend her drawing knowledge. The reason? She was also passionate about cats and brought a different cat book from the library when we met on a Friday. Every day she drew a cat at the top of her diary page, and Friday was no exception. Flora’s aim: to draw every cat species she could. Continue reading
I have accumulated many sketches over the years; some in notebooks, on scraps of paper, in art pads and folders. Some work is good, some bad and the rest indifferent. And that isn’t all of it, when moving, I made the bold choice to give work away, or throw it out. Recently I decided to go through a folder or two, to see if I found anything interesting. These drawings had stories attached to them; some had sold and I only had photos of the originals, but many were tucked away, waiting for me to show them the light of day. It was nice, dipping into my past and meeting old friends.
For some years I concentrated on doing life studies, using my own models, working in a studio above my garage. I used Anita, who was great to work with, on many occasions, mostly drawing the whole form each time. I used charcoal pencil and willow stick on Grumbacher paper in the image above.
I have been writing a story for sometime now about my father, John Frederick Lingard Fowlds, who died when I was a teen. He never got to know how I, or my brothers and sister turned out as adults, or ever got to meet any of our children, and grandchildren. I began writing his story, fictionalised to some degree, to give the wider family some idea of what kind of person he was. Writing about him has been relatively easy, as he was a funny, warm and loveable man. Very artistic too. The hard part is the loss I still feel for him after so long, and maybe the reason I am taking so long to write his story, is that I don’t wish to lose him again. Continue reading
Sketch Spain group
This post is about others – the other sketchers whom I was lucky to spend time with on my recent trip to Spain. Why was I lucky? Because I learned rather a lot from them. The group may be surprised by this statement, as many are new-comers to sketching and are rather modest about their outcomes. But they have an approach to their sketching, that I, as a long-standing ‘sketcher’ lack. Continue reading
From my sketchbook
The contrasting landscape heading to Seville was amazing: cypress trees dark against earthen buildings, scruffy pine-nut trees, tiny old huts, and fields; where grapes replaced orange trees, then olives, as the train sped past. Undulating hills, the soil darkening to a burnt sienna and white houses with orange tiled roofs. A change back to orange groves as we neared Seville, sun-touched and golden. What a warm welcome. Continue reading
It was a peaceful 3hr train ride from Barcelona to Valencia, which gave me time to sketch the orange tree (above), abundant with Valencia oranges – naturally. I looked about the carriage, and saw most of the group head-down sketching, or colouring their work, assiduously. It has become clear that Tony’s enthusiasm for sketching has caught on. Continue reading
It’s taken a few days to clear the brain-fog which often happens after long-haul flights. Factor in a one and a half hour’s flight, a seven hour stopover, a seven hour flight, a two hour stopover, a final sixteen-hour flight, and you’ll have some idea of why I couldn’t get my post out sooner. However, here I am, back in New Zealand and inviting you to share a little of my experiences of sketching in three Spanish cities, beginning with Barcelona, a city made famous by Antoni Gaudí (1852–1926) for his unique take on Catalan Modernism architecture. Continue reading
ARTISTRY 