Week Three. In this session we were to work on A2 paper, using pencil or charcoal for our preparatory sketch. No photocopies this week. The model Lulu is similar in build to the figure we had copied in Goldie’s work – the idea being, we were told, was to execute a painting in tones similar to the one we had copied. But first, the pose needed working out, and so a few minutes were spent moving a stool, arranging a cushion, and having the light in an appropriate position to suit both the model and the class. We would be working with this same pose for three weeks. Hard on the model I thought.

I was pleased to be using my favourite drawing medium for this stage. Charcoal is such a forgiving medium and I just love the nuance of tone it allows one.

In hindsight I should have tried a few different positions to draw from, and then decide which looked best. But as the room was not large, I was more concerned that the original spot might be taken in my absence. I did overwork the sketch a little as a result. But, I can always do another sketch next week if I want, as this drawing is to act as the starting block for my oil painting.

I was aware of the lack of features in the room which might enhance the the overall work but saw there was a sheet draping nicely pinned high on the wall. I would work that into my painting, and perhaps sketch some other element loosely to create a better effect, perhaps a chair? Or, I could even invent a window?

I thought that you might like to see the black smudge bottom left which is where I rub pigment from the willow stick, and then use my finger to smudge the paper to help create a rounded form. It is so satisfying hearing the sound this makes. The light was above the model and to one side creating a stark contrast in tone. I wouldn’t usually draw such a hard line (in charcoal pencil) around the form, but as I may trace this sketch onto canvas next week, I felt a stronger outline may be necessary. I placed the feet too close to the bottom edge of the paper here, but I shall rectify that when sketching the pose onto canvas. I’m already wondering how I shall colour the background. I can see the planned painting will be fun. I certainly hope so.