About viviennelingard

I am an artist and writer. I have been an an art teacher and as an illustrator of children's books. I love writing, whether fiction or non-fiction, and have written many short stories. I am also a keen reader and write book reviews, among other art related articles on my blog site – viviennelingard.net

To the Naki: 2

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Me in front of the Len Lye Centre

On our last afternoon in New Plymouth, we re-visited the Len Lye Centre, which sits within the Govett-Brewster Gallery building on Queen Street, to see the extra exhibits which weren’t on display the day we first went. We had hoped to also look inside the  Govett-Brewster gallery, but it remained closed, preparing for re-opening once the Covid levels had lifted. The Len Lye Centre is as famous for its architecture as it is for the artist it is named after; innovative and fascinating in so many ways. Continue reading

A trip to the Naki: 1

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oznorWith our lockdown almost over, Kerry and I got busy organising the trip to New Plymouth we had planned months before we’d heard the word Covid. Now were were in level 2, the government was urging Kiwis to travel within their own country; to help kick-start our local tourism industry, which had suffered with the border restrictions to overseas visitors. New Plymouth is within the Taranaki province (the Naki to Kiwis) and has many attractions. The most famous being its superb mountain; a mountain I’d only spotted from a distant road, or when I’d flown over the cone capturing a terrific birds eye view in a photo. Meaning always to go and walk around the foothills – sometime. That time had arrived! Continue reading

Mixing it up

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continuous line

With Covid19 locking us in our homes for weeks it was good to finally get together with our art buddies again. We started the class last Saturday with several very quick pen sketches using a model.  The aim being to keep the pen moving constantly on the page. This method is called continuous line, or contour. Although contour usually refers to the outline, continuous line allows you to move around and across the form. With both methods it is usual to look at the model and then the page. Blind contour, is when you look only at the model while you sketch. A challenge, as it’s so compelling to look down at your sketch. Continue reading

A variation on the theme

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Depot Artspace

Last week’s post, New Beginnings, was about my new writing project, although it was not the only new thing I embarked upon post-Covid lockdown. I am proud to say that I began a new job, as a volunteer worker at The Depot Artspace, a community art gallery in Devonport just down the road from me. It’s a great creative hub, where artists are encouraged to produce new and innovative pieces, whether it be photography, painting, sculpture or sound. They offer a professional development programme, publications, a recording studio, and a design studio. That’s quite something for a community enterprise. Continue reading

New beginnings

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view from my study

Slowly the world shrugs awake outside my study window as people respond to the lifting of the Covid19 lockdown while I am at my desk staring at my computer wondering what to post this week. The daily sketching exercises have ended, I haven’t been anywhere for weeks, so there were no new places to write about, and hadn’t I written about about a long-ago trip last week? Something would come to me; it usually does. And it has. I have begun writing a new novel length piece of non-fiction. Continue reading

A wonder of the world

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The Great Wall of China

Last week our tutor suggested we might sketch a wonder of the world as our weekly image for the group FB page. I immediately thought of The Great Wall of China. But heck, my visit there was back in 1997. A photograph. I knew there were one or two taken of me that hot day with the migraine and having to rest every few steps as we walked along  that magnificent structure. They weren’t online, as all our photos are these days, so I raced off to ask my husband to help locate them. Oh my gosh. What a man. There all the photographs were from that year, in his study cupboard, the prints sandwiched neatly between their pertinent negatives.  I was in awe. Let’s not mention my filing techniques here. Continue reading

I’ve pushed my manuscript into the ether

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bundled manuscript

It may seem relatively simple to write a novel-length work, and send it to a publisher for the printing etc, and sit back and wait until – voila, there the book is, all newly minted and looking gorgeous. It’s not quite that simple for a memoir-style book which requires images as well as text and this was something I’d not thought too much about as I focussed on the writing. Continue reading

Ephemera

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Sketch by Vivienne Lingard

Imagine life seven years after a virus (an electronic one, the Crash) has taken down all electronic services world-wide. So, no computers, no devices, no plane towers, no planes, power or petrol. The only access to food is to grow your own; the only way to get around is by foot, bicycle, boat, or horse. That’s the premise of Tina Shaw’s latest novel, Ephemera. Continue reading

Another sketch: a little Japanese story

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Yes, sketching a favourite bag was on the sketch list for April. I didn’t feel that motivated to sketch such an object but changed my mind later in the day when I came across my green bag. It is a made of soft leather; body and handle, and is different from other handbags, having a contrasting colour inside and a drawstring to pull it closed. It comes with a little story. Continue reading

What lies behind an image?

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polychromous pencils and water-soluble ink

Clouds were on the list of suggested sketches we might do for the month of April.   Great, I thought. Clouds just happen to be a favourite of mine to sketch, so I didn’t hesitate to start. I had captured a cloud scene on camera during the week, and when I viewed the image again, I knew that this sketch would be different. I had been sketching with pen and watercolour wash for most of the month, but I was pulled into a memory of a series of cloud drawings I had done many years before using only coloured pencil and graphite.  I opened my boxes of polychromas pencils and selected the colours. I was in my happy place.  Continue reading