Come next Monday, I shall be making my way to Barcelona, and embarking on a daily sketching sojourn in several cities. This prospect has made me slightly nervous, as well as excited, as I endeavour to keep my sketching practice up. My aim is to be as fluid as I can with my line, and use of colour. Last week, I attended two workshops; both with live models, but each very different from the other. I knew that we were going to be covering animals in the first class, but expected that we would be working from photographs. I was rather taken aback when a rather large, although handsome tan and white boxer dog (Walter), was led into the room. Continue reading
After doing a recent quick ‘selfie’ portrait, I sifted through some old art folios, in which I found a few very different images of myself. Two were pencil drawings, and the other a quick sketch in acrylic on paper. Over the years I’ve executed many portraits, in pastel, pencil and paint; some done as teaching tools, some commissions, and others as part of children’s book illustration.
With all portraits, and all figures come to that, I have generally used the same techniques to plot the sketch. But the most important technique of all does not involve pencil or paint. To become accurate with any portrait, you must look. Seems obvious? I am talking about really seeing here: the shape of the head, the face; whether it is thin, long, wide, plump. Is the skin tone fair, or dark? All these features need to be observed before a pencil makes a mark. And, then comes the hair. Is it dark, light, thick, wavy, straight? Is it wispy, framing the face? When you are becoming to know the person, it comes the time to select your tools (pencils in this case). It does help if you already know your model too. Continue reading
Monday I was back to the travel sketching class, where the focus was on people. People, faces, bodies, used to be my thing, but not consistently practising these skills has shown a gap in what I know I can achieve and what comes out on the paper. I cannot blame the pen. I have chased another passion (creative writing), too much, and let my art skills languish. By coming to classes, I hoped to renew the passion I’d once held for art.
The first sketch, was fine: a self portrait sketched from a phone ‘selfie’. I’d certainly not done that before, although I had done a few self portraits using the old-style reflection in a mirror. Luckily I happened to have a recent phone selfie, showing off my new glasses, as I could imagine the ten photos I’d have to take in class to get one I remotely liked. Continue reading
This week’s post is far from my usual offerings, as last Friday in New Zealand we were subjected to our worst fears: a right-wing racially-bigoted man shot at and killed fifty of us; among them men, women and children. This twenty-eight year old man went into two mosques in quick succession and opened fire with semi-automatic weapons and mowed worshippers down.
New Zealand is a small country, in size and population and up until last Friday, we had been considered a peaceful, fair-minded and friendly society. We do not have a culture of toting guns (including the general police force), and most of us would never have seen a gun, let alone held one in our hands. Guns, we thought, were the domain of farmers, hunters, special police force, the military, and countries other than ourselves.
We are not however, so naive that we close our eyes to the gun culture within our gangs, or have we been immune from the trauma of other gun-associated deaths; but these happenings, although horrific, are not generally committed by someone with a skewed ideology and an inherent hatred for those different from themselves. The man who walked into the mosques last week, had come to New Zealand intent on carrying out this heinous crime.
As a child, my parents hosted a Hungarian family who were escaping troubled times in their home country. They arrived in New Zealand with little more than the clothes they wore. This family was welcomed in by the small community in which we lived. The local Anglican congregation rallied around to find toys and clothes for the children, help the father find work, and a home. This is what I remember.
We had long welcomed other cultures into New Zealand and I was proud that my father had friends from India, Italy, France and Hong Kong. My mother taught new Dutch immigrants in her classes. This is what I remember.
To say our country is in grief, sums up the collective pall which hangs over us. Many of us have tears in our eyes.
Despite this, our country has rallied together, schools have held concerts, performed haka, sung their hearts out for the families who have lost so much. Others have written messages, left flowers, attended memorials, donated money. It seems we still have a lot more to give. This is what I’ll remember.
The map I began two weeks back has made some progress forward, and although not quite finished, it is fairly much there. I decided to make a legend/key to off-set the Devonport map I’d begun, shown in an earlier blog. See below, the pen and aquarelle pencil icons which I have numbered but still have to name.
It is always interesting how one idea can trigger off others, and writing about travel diaries got me to thinking about the major unfinished travelogue of mine, which is idling on my computer. I have salved my conscience a little, by uplifting some passages from the longer story and posting them in various blogs. This post is adding to that list, and shall focus on a single day in Villefranche-sur-mer and a fleeting look at some of its art.
I am to be visiting Spain in April, for a second time. Last time I went with an old friend to attend a month’s teaching course in Barcelona. I loved Barcelona and had always contemplated a return. When I learned late last year of a 2019 Sketch Spain trip, I didn’t need any persuasion to add my name to the list. My husband is coming with me this time, with his camera, while I shall join a small group of sketchers. To build some impetus, and ideas for how I’d approach my travel diary, I joined Tony McNeight’s class for a map-drawing exercise as he thought this a good way to familiarise oneself with a new place. We were to emulate a schematic drawing of Devonport, using any style we wished, though keeping to the preferred mediums of watercolour and ink (see at end of blog). Continue reading
As I wrote a recent post about trekking on Stewart Island, I mentioned my old boots, which brought up memories of the time I had worn them trekking in the foothills of the Himalayas, over twenty years earlier! That got me thinking of that month in Nepal. It was my first journey to a country far from home; a country where I would be the foreigner speaking a different tongue. I had dreamed of such a journey since childhood. As an adult, I wished to challenge my status quo, and when the opportunity presented itself to visit this eastern kingdom, I knew I couldn’t turn it down. Continue reading
The weather changed to wild winds and rain on our last day on Stewart Island. Foveaux Strait was difficult even in fine weather; but foul? There was nothing to do but wait. So, I sat for a while sketching the view out the window, hoping the small plane would not be grounded come morning. My husband and I were continuing on to The Catlins, a stunning coastal region, with wildlife, native bush, and splendid beaches we were itching to explore. Continue reading
It was my first trip to our most southern coast and to Stewart Island, a place as famous for the straits which lay between the departure point of Invercargill and the island. The trip over in small plane, however, was superb. To be able to see from a bird’s perspective – just amazing. Stewart Island was everything I thought it would be, from its beaches, bush, Oban’s iconic hotel, the hospitality and the superb fresh blue cod. Then there was the visit to Ulva Island, the three day Rakiura walk, a free day and the return flight to Invercargill. Plus, we had four days outside this in The Catlins. How could I fit all of my stories in just one blog? Continue reading