To the Naki: 2

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Len Lye 1

Me in front of the Len Lye Centre

On our last afternoon in New Plymouth, we re-visited the Len Lye Centre, which sits within the Govett-Brewster Gallery building on Queen Street, to see the extra exhibits which weren’t on display the day we first went. We had hoped to also look inside the  Govett-Brewster gallery, but it remained closed, preparing for re-opening once the Covid levels had lifted. The Len Lye Centre is as famous for its architecture as it is for the artist it is named after; innovative and fascinating in so many ways. Continue reading

A trip to the Naki: 1

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oznorWith our lockdown almost over, Kerry and I got busy organising the trip to New Plymouth we had planned months before we’d heard the word Covid. Now were were in level 2, the government was urging Kiwis to travel within their own country; to help kick-start our local tourism industry, which had suffered with the border restrictions to overseas visitors. New Plymouth is within the Taranaki province (the Naki to Kiwis) and has many attractions. The most famous being its superb mountain; a mountain I’d only spotted from a distant road, or when I’d flown over the cone capturing a terrific birds eye view in a photo. Meaning always to go and walk around the foothills – sometime. That time had arrived! Continue reading

Mixing it up

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continuous line

With Covid19 locking us in our homes for weeks it was good to finally get together with our art buddies again. We started the class last Saturday with several very quick pen sketches using a model.  The aim being to keep the pen moving constantly on the page. This method is called continuous line, or contour. Although contour usually refers to the outline, continuous line allows you to move around and across the form. With both methods it is usual to look at the model and then the page. Blind contour, is when you look only at the model while you sketch. A challenge, as it’s so compelling to look down at your sketch. Continue reading