This is my second attempt to sketch and write a blog this week, the first effort was not great – more wilting lilies. So, I decided to draw a fantastic tree for which Devonport (where I live) is quite famous – the Moreton Bay Fig. This large evergreen tree of the Mulberry family happens to be native to Eastern Australia. Lucky Devonport has many of these fabulous giants based around our library. They are so big they almost straddle the road, and I always stop and admire the amazing root systems which have tourists clicking their cameras. I became the tourist this day and took a photo while out walking. This will make a nice art project I thought.
I started sketching using a water-soluble graphite pencil, which has a nice thick, soft lead. My idea at first, was to make this a tonal wash sketch, using different techniques. I have tried using a white blockout lumocolor before, when there are considerable white spots in the texture in tree trunks, and would be too fiddly to leave so many bits of white paper showing, as I usually do. The blockout has worked well when I’ve used a straight watercolour wash. However, it doesn’t work that well with the water soluble graphite (for me anyway), as it leaves residual grain. So, I left the work to dry, and then tried to erase the extra pigment which had penetrated the white blockout. So now my work looks grubby, which is not unusual when I try using water! Never mind, the watercolour paper is 33gm Hahnemühle and can cope with heavy treatment.
I was reasonably happy with the top sketch but could see I had missed the proportion somewhat bottom left and top right. I did adjust that, and feel it is better. I also used a clean Staedtler eraser to lift off some of the unwanted tone. Done. But now, my task was to work more texture into the sketch, and to add limited colour. I used an 8B graphite pencil (not a water-soluble one) for the extra texture on the tree, colour pencil for the moss and the smattering of leaves. My conclusion is that maybe it’s okay to enjoy these magnificent trees while out walking, and forgo the urge to draw them – just saying.
With Covid19 locking us in our homes for weeks it was good to finally get together with our art buddies again. We started the class last Saturday with several very quick pen sketches using a model. The aim being to keep the pen moving constantly on the page. This method is called continuous line, or contour. Although contour usually refers to the outline, continuous line allows you to move around and across the form. With both methods it is usual to look at the model and then the page. Blind contour, is when you look only at the model while you sketch. A challenge, as it’s so compelling to look down at your sketch. Continue reading →
Tony, the tutor of the travel sketching classes I attend, sent out a page of suggestions for daily sketches to keep us busy, as we cannot attend classes right now. I took a week to produce my first sketch; the figs I posted about last time. The tea cup, which was actually first on his list, I was keen to do next. I love nice china, and think a cup of tea tastes so much better sipped from such a cup. I seldom use tea bags as I prefer the flavour of leaf tea. Combine the two, add a friend to share the pot, and the experience of sipping a cup of tea is even better. Add a piece of homemade shortbread and – perfection. Continue reading →
As I’ve mentioned before, I can get stuck with what I know when it comes to sketching, but nothing beats joining an art group from time to time and just going with ‘the flow’, literally. On the last two Saturday afternoons I attended Tony McNeight’s class in the teaching block close to my home. Centre table was a large striped vase filled with silk flowers and dotted around were a bundle of twigs, and numerous pots of coloured ink. ‘Mm’ the class said. Continue reading →
Come next Monday, I shall be making my way to Barcelona, and embarking on a daily sketching sojourn in several cities. This prospect has made me slightly nervous, as well as excited, as I endeavour to keep my sketching practice up. My aim is to be as fluid as I can with my line, and use of colour. Last week, I attended two workshops; both with live models, but each very different from the other. I knew that we were going to be covering animals in the first class, but expected that we would be working from photographs. I was rather taken aback when a rather large, although handsome tan and white boxer dog (Walter), was led into the room. Continue reading →