Sketch Spain preparation

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The map I began two weeks back has made some progress forward, and although not quite finished, it is fairly much there. I decided to make a legend/key to off-set the Devonport map I’d begun, shown in an earlier blog. See below, the pen and aquarelle pencil icons which I have numbered but still have to name.

map pics

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One arty day in Villefranche

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Villefranche-sur-mer, on the Côte  d’Azur

It is always interesting how one idea can trigger off others, and writing about travel diaries got me to thinking about the major unfinished travelogue of mine, which is idling on my computer. I have salved my conscience a little, by uplifting some passages from the longer story and posting them in various blogs. This post is adding to that list, and shall focus on a single day in Villefranche-sur-mer and a fleeting look at some of its art.

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Travel diaries past and future

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Diane and I @ Parc Guell

I am to be visiting Spain in April, for a second time. Last time I went with an old  friend to attend a month’s teaching course in Barcelona. I loved Barcelona and had always contemplated a return. When I learned late last year of a 2019 Sketch Spain trip, I didn’t need any persuasion to add my name to the list. My husband is coming with me this time, with his camera, while I shall join a small group of sketchers. To build some impetus, and ideas for how I’d approach my travel diary, I joined Tony McNeight’s class for a map-drawing exercise as he thought this a good way to familiarise oneself with a new place. We were to emulate a schematic drawing of Devonport, using any style we wished, though keeping to the preferred mediums of watercolour and ink (see at end of blog). Continue reading

A southern experience: part two

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st Island sketch

The weather changed to wild winds and rain on our last day on Stewart Island. Foveaux Strait was difficult even in fine weather; but foul? There was nothing to do but wait. So, I sat for a while sketching the view out the window, hoping the small plane would not be grounded come morning. My husband and I were continuing on to The Catlins, a stunning coastal region, with wildlife, native bush, and splendid beaches we were itching to explore. Continue reading

My Japanese New Year

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My sketch of me in kimono

After writing my last blog about Japanese author Murakami, I was taken back to memories of my time living in Japan. One outstanding memory for me is the time I spent with Japanese friends during the important New Year festival of Shogatsu. This occasion is shared equally between Japan’s two most common religions; Buddhism and Shinto. I was very fortunate to be invited to stay with these friends in order to experience first-hand some of the most revered and long-lasting rituals which take place at Japanese New Year. Continue reading

The making of a special doll

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doll-making paraphernalia

Being New Year, it is customary to make resolutions. Mine are pretty general; just get those unfinished pieces of sewing, artwork and writing completed. I didn’t need to write a list, I have known for too long what needs to be done. So, I started with the calico doll, which has been in bits since my granddaughter stayed last year. Continue reading

From island to classroom

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This week was bookended by attending two different art groups. Monday, I joined the travel-sketching crowd at an end-of-year sketching day on nearby Waiheke Island, just a 30-minute ferry ride from my home. On arrival at Matiatia wharf we were to find a spot to sit and sketch until the bus arrived. It would take us to Casita Miro, a fabulous Spanish winery and cafe. Continue reading

Chasing the perfect clouds

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Constable clouds

John Constable c.1824

This post began as I was searching for information on artists who used extra long brushes for painting, after a fellow artist-blogger had mentioned Matisse using this method. I knew that several of the old masters painted in this fashion but I drew a blank with finding out whom. The British artist Constable seemed to ring a bell, so I added his name to the search. But I could find nothing about his use of the long paintbrush either. However, I scrolled through many images of his paintings and quite by chance I found something altogether amazing (see above). Continue reading

What’s hatching?

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A favourite pen

I was pleased to be asked to join another of Tony McNeight‘s sketching classes on the weekend; the topic – cross-hatching, and the medium, ink. It was some time since I’d used the technique but I was keen to give it another go. True, my tools were ancient, but in good form, since I’d recently cleaned my pens out and replaced the ink cartridges.  Continue reading

The elusive tuatara

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Illustration from Toby and the Tuatara

Many years back, I wrote my first children’s story, Toby and the Tuatara, and illustrated several images to accompany it as an example to show potential publishers. My artwork gained mention  but my early writing attempt didn’t. However, the drawing of a native tuatara instilled in me the desire to see one in the flesh. Last weekend that dream almost came true.
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