Frances Hodgkins was born in Dunedin, New Zealand in 1869 and died in England in 1947. Last weekend the exhibition, Frances Hodgkins: European Journeys finished its run at the Auckland Art Gallery. I made sure I saw the exhibits, over 150 in all, as this artist has been a trail-blazer for the many female New Zealand artists who have followed. This particular artist stands out from the crowd because she forged an art career at a time when the art world was completely male-dominated. Frances Hodgkins left her birthplace for Europe in 1901 at a time when just a handful of women travellers were experiencing the world. What made Hodgkins different from those women was not mere travel to exotic countries, but her personal mission of becoming an artist of international repute. Continue reading →
After doing a recent quick ‘selfie’ portrait, I sifted through some old art folios, in which I found a few very different images of myself. Two were pencil drawings, and the other a quick sketch in acrylic on paper. Over the years I’ve executed many portraits, in pastel, pencil and paint; some done as teaching tools, some commissions, and others as part of children’s book illustration.
With all portraits, and all figures come to that, I have generally used the same techniques to plot the sketch. But the most important technique of all does not involve pencil or paint. To become accurate with any portrait, you must look. Seems obvious? I am talking about really seeing here: the shape of the head, the face; whether it is thin, long, wide, plump. Is the skin tone fair, or dark? All these features need to be observed before a pencil makes a mark. And, then comes the hair. Is it dark, light, thick, wavy, straight? Is it wispy, framing the face? When you are becoming to know the person, it comes the time to select your tools (pencils in this case). It does help if you already know your model too. Continue reading →