Photograph by Jeremy Weihrauch of the new face of the Heide Museum of Modern Art
I was excited when invited to visit an art gallery in Melbourne I had visited before. The Heide Museum of Modern Art specialises in modern art and sculpture, is quite unlike others, and one I never tire of visiting. It is in Bulleen, a suburb of Melbourne, and was established in 1981 by art benefactors John and Sunday Reed. Thanks to their ideas and inspiration, the museum is a superb asset to the city, and sits well with the other, larger art galleries in the city centre. I was especially excited to visit this day, as they were featuring an exhibition of Barbara Hepworth sculpture. Hepworth is a British modernist artist and sculptor (1903-1975). > Barbara Hepworth
I feel a bit guilty, not having posted for some time, but not having the sanctity of my study nearby did that to me. And travel. I’ve been back a couple of days from a trip to Tasmania and Melbourne, Australia. Tasmania was new to Kerry and I, but not Melbourne, as we have visited often because of family and friends who call it home. The whole trip was eclectic, including the changes in weather and temperatures. Looking at different land forms, buildings, creatures and art. I still feel a little unsettled, but let me begin with some art that we saw.
Most art lovers will already know of Hundertwasser (1928-2000), an Austrian artist who lived in Vienna for many years of his life, and many will have visited the Hundertwasser House and museum opened in Vienna in the 1980s. But fewer will know of his link to New Zealand. In 1973 he travelled to New Zealand for the first time at the invitation of the Auckland City Art Gallery, where Hertha Dabbert had organised a travelling exhibition of his works. He visited the Bay of Islands during this time, and was so affected by the area that he returned a few years later and bought a farm. An impassioned environmentalist, he lived simply, off the grid if he could, returning from trips abroad, planting thousands of trees, establishing solar systems, and recycling as much material as he was able.
When others discovered I wrote, I was asked many questions beginning with W. When? Why? What? and Why? again. The last why was because I had always been known as an artist, and friends couldn’t understand the shift. I don’t think any of them would have understood that it had started as a game. I was teaching English in Japan, spending a lot of free time on my own and reading a lot of fiction. One evening, I wondered if I was capable of dreaming up a plot for a novel. Well, that was twenty years ago, and the answer is ‘yes’. I have been writing fiction ever since and absolutely love it! But some days, I don’t wonder why I started, but why I continue, as it all takes so long.
I am currently in the process of reading through twenty-one of my short story manuscripts, following my reader’s track-change suggestions. As Suzanne is very good at her work, I mostly click ‘approve’, and keep scrolling for the next comment. I always re-read the work after this initial browse, in case I find any small thing I think will improve the flow, or a word which now seems inappropriate. Why would you change anything at this stage, you might be thinking? Well, it is because these stories span ten years of writing, and some of those early ones may still require more ‘tightening’.
On our last afternoon in New Plymouth, we re-visited the Len Lye Centre, which sits within the Govett-Brewster Gallery building on Queen Street, to see the extra exhibits which weren’t on display the day we first went. We had hoped to also look inside the Govett-Brewster gallery, but it remained closed, preparing for re-opening once the Covid levels had lifted. The Len Lye Centre is as famous for its architecture as it is for the artist it is named after; innovative and fascinating in so many ways. Continue reading →
Frances Hodgkins was born in Dunedin, New Zealand in 1869 and died in England in 1947. Last weekend the exhibition, Frances Hodgkins: European Journeys finished its run at the Auckland Art Gallery. I made sure I saw the exhibits, over 150 in all, as this artist has been a trail-blazer for the many female New Zealand artists who have followed. This particular artist stands out from the crowd because she forged an art career at a time when the art world was completely male-dominated. Frances Hodgkins left her birthplace for Europe in 1901 at a time when just a handful of women travellers were experiencing the world. What made Hodgkins different from those women was not mere travel to exotic countries, but her personal mission of becoming an artist of international repute. Continue reading →
I have accumulated many sketches over the years; some in notebooks, on scraps of paper, in art pads and folders. Some work is good, some bad and the rest indifferent. And that isn’t all of it, when moving, I made the bold choice to give work away, or throw it out. Recently I decided to go through a folder or two, to see if I found anything interesting. These drawings had stories attached to them; some had sold and I only had photos of the originals, but many were tucked away, waiting for me to show them the light of day. It was nice, dipping into my past and meeting old friends.
For some years I concentrated on doing life studies, using my own models, working in a studio above my garage. I used Anita, who was great to work with, on many occasions, mostly drawing the whole form each time. I used charcoal pencil and willow stick on Grumbacher paper in the image above.
My husband bought this book for me, having read a review online praising the writer. I have read many collections of short stories in my time, including the likes of Katherine Mansfield, Doris Lessing, John Steinbeck, Janet Frame, Raymond Carver, and Alice Munro. Until I unwrapped the book and read the cover, this was the first time I’d met this author. Continue reading →
I have begun the year reading through the backlog of books which has been accumulating beside my bed. One I was keen to get to was the hefty tome of Haruki Murakami’s recent book, Killing Commendatore. But I let it sit, while I read one of his I’d been given earlier as a birthday present; Men without women. This book features seven short stories, plucked from various collections. It contained the wonderful prose and wit, which I’d come to love from this great Japanese author. I have read a number of his novels and have kept all the titles I’ve read. However, If I hadn’t been given a publication of his as a present years ago, I doubt that I’d have plucked one from a shelf. I like reality, the known; whereas Murakami is unafraid of having his characters venture into very different realms, and he has managed to entice me into those worlds, through his mesmerising prose.