Following last week’s post, I began wondering what I would write for the next. I usually like to ‘mix and match’ the content of my posts to keep my interest up, and hopefully that of my followers. But this week, for me (and everyone else), it has been a week so different and unplanned that it has been hard to think of writing longer succinct pieces of writing on any subject. So, while this ‘isolating’ in our homes settles into a pattern, and I can begin thinking of something other than the covid-19 virus, I shall be posting one sketch at time and tell you the story attached to each. Continue reading
Last week in art class we did an exercise on one point perspective. We were to practice the rudiments of eye-level-line / horizon line, and the point to which other lines travel. In short, perspective drawing. The word perspective may intimidate new sketchers. But perspective is really just a word which suggests that there are different ways of looking. And as artists, that is the most important thing we can learn.
In the run up to the start of my travel-sketching class, I have been trying to complete a sketch a day. Drawing daily used to be effortless, but now, I seem to need more motivation to get started. I have managed to get some sketches done and thought I’d show that I can sometimes walk the talk. As I have a very nice room, set up for both writing and art, I thought I’d take objects I like and sketch them at the worktable in there. Continue reading
The past weeks have seen various family members come and go, each group staying a few days, making for a very busy time. This has meant, however, my ideas for new posts have been like jelly waiting to set. That was, until yesterday, when I was invited to join another of Tony McNeight’s sketching classes, the subject, linking typography with watercolour sketches. He asked me to bring something to sketch which held a special meaning. Continue reading
Frances Hodgkins was born in Dunedin, New Zealand in 1869 and died in England in 1947. Last weekend the exhibition, Frances Hodgkins: European Journeys finished its run at the Auckland Art Gallery. I made sure I saw the exhibits, over 150 in all, as this artist has been a trail-blazer for the many female New Zealand artists who have followed. This particular artist stands out from the crowd because she forged an art career at a time when the art world was completely male-dominated. Frances Hodgkins left her birthplace for Europe in 1901 at a time when just a handful of women travellers were experiencing the world. What made Hodgkins different from those women was not mere travel to exotic countries, but her personal mission of becoming an artist of international repute. Continue reading
This post is about others – the other sketchers whom I was lucky to spend time with on my recent trip to Spain. Why was I lucky? Because I learned rather a lot from them. The group may be surprised by this statement, as many are new-comers to sketching and are rather modest about their outcomes. But they have an approach to their sketching, that I, as a long-standing ‘sketcher’ lack. Continue reading
Monday I was back to the travel sketching class, where the focus was on people. People, faces, bodies, used to be my thing, but not consistently practising these skills has shown a gap in what I know I can achieve and what comes out on the paper. I cannot blame the pen. I have chased another passion (creative writing), too much, and let my art skills languish. By coming to classes, I hoped to renew the passion I’d once held for art.
The first sketch, was fine: a self portrait sketched from a phone ‘selfie’. I’d certainly not done that before, although I had done a few self portraits using the old-style reflection in a mirror. Luckily I happened to have a recent phone selfie, showing off my new glasses, as I could imagine the ten photos I’d have to take in class to get one I remotely liked. Continue reading
The map I began two weeks back has made some progress forward, and although not quite finished, it is fairly much there. I decided to make a legend/key to off-set the Devonport map I’d begun, shown in an earlier blog. See below, the pen and aquarelle pencil icons which I have numbered but still have to name.