If at first you don’t succeed …

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Paint brush and black ink from previous class

I am talking about art classes and my sketches again. The previous week, I didn’t enjoy sketching using a paintbrush loaded with black ink on A1 sheets of newsprint.

I had, in the past only used paint with a brush that size on board, or heavy paper. Normally I would have sketched using a dry-brush effect. But that day, and many sheets of newsprint later, I knew that the combination of thick brush, ink and heavy application didn’t like me. Or, maybe it was me that was thick?

This week, we had the same model. Fortunately we began with charcoal. Ye ha! As stated before, I think charcoal works well on newsprint and its ease of use is perfect for fast poses. In fact, it glides across the page.

Better luck today I thought.

Two minute charcoal sketch with focus on line

I love the way you can move charcoal on the paper, and get very grubby fingertips in the process. It helps that we were using large easels and A1 paper, as it gives the arm room to move fast to catch the pose. It’s important to gauge the shape of the model and the spaces created with the pose. For example; the triangular shape between the stride, and the negative spaces created around the figure too. Using the paper’s edge as a guideline helps, as you visually judge the distance between the shape and the straight edges. Then it’s look/sketch/look/sketch… until the time is up.

More charcoal, aiming for line and moulding the form.

It was suggested we lie our charcoal stick on its side for the next sketches, and I did attempt one of two with varying degrees of success. But that is to be expected, when the pace is fast and you are presented with doing something in a different way from usual.

It is my natural inclination to sketch line before moulding the figure, and these were a combination of the two.

I didn’t think you needed to see the bottom half of the page. Nor the drawing which followed, where the proportions were off.

And then, it was into line again!

Two minute charcoal sketch

Gosh, I was spinning, as next we were onto ink sketches, using our implement of choice for a fifteen minute pose. Ha!I I chose my trusty pen with a long refill cartridge and sketched wildly. I decided to add colour wash near the end and duly applied it with a size 7 brush. Oh no. I hadn’t realised I had the soluble ink refill in my pen, so I quickly left that sketch alone, knowing I could work on it at home. Onto another fast pose to get at least one ink sketch done…

Very quick sketch using water-soluble ink, with light water wash

I like using this ink, if I’ve remembered it’s in the pen! The line is more forgiving, as it is made movable by the water brushed on. The water does need to be used sparingly for best results.

All in all I had a very enjoyable morning. Next week, I hope we’ll get to use some colour again, as it is the penultimate life drawing session.

Back to the written word

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The heading is a double entendre, I believe, although I didn’t realise the link until later. After viewing the sketches from last week’s art class, there was no way I was going to advertise them, and with my novel now back on track, I thought a post about its progress might be more inspiring than looking at the worst drawings I have done in some time. The old learning curve at work again! However, I am pleased to be making progress on the novel, coming on the heels of readers’ praise for my recent short story collection.

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Life Class Week Two

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6B graphite pencil and soft stick pastel

This week, the group were asked to focus on line rather than form for the quick sketches. I was working on A1 newsprint, pinned to board on a painting easel. This was a rather different approach from the previous class, where I sat straddled on a wooden artist’s Donkey. In that situation I could rest my arm when I chose. With all the poses for this week’s work, I was standing, using the arm and fingers stretched and moving the mediums quickly on the page. The first sketch is in the middle, superimposed by the blue pastel sketch, and last, the pencil sketch of the seated model. We did several more quick poses, using charcoal until the break.

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It won’t be long before the book comes out but…

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Promo photo of me at home with books, of course.

I’m really happy to report that my book is now at the printers; I have managed a couple of days doing absolutely nothing except walking and being a slothful version of myself. Oh yes, there was the slightly stressful ‘having my photo taken’ exercise for publicity purposes. I had an idea of how I’d like the scene to be, but do not like having my picture taken. Thanks to my photographer daughter, who knows just what to say to relax the shoulders and get that grim mouth show a slight smile, worked her magic. I really do like the end result. Thank you Lara.

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Why does it have to be so hard?

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The reasons I haven’t been posting are not because I was away on another sojourn enjoying the sights, quite the opposite. I wrote a post some weeks back (Sept) about the time it takes in this writing lark to hear back from people. In that post I wrote that I had sent off a pitch to an agent regarding my short story collection. I waited the 6 – 7weeks indicated when I should have heard back. Seven weeks turned into twelve and I decided to chase this up. No response. Last week (16 weeks from original submission), I wrote a longer message. A reply, saying: “Oh, so sorry, your work must have been sent to So and So’s scam folder and been deleted, for all the work from that month has been seen to, and your file is nowhere to be found.” And then the bit that said – “sorry about this, you can resend if you wish, but we understand if you want to send it elsewhere.”

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The aftermath

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A shadow of my former self

I have done little since returning from the family holiday, as I arrived home ill, and still feel a shadow of my former self, three weeks on. Such great plans I had: to get cracking on my new novel, sketch and sketch some more, but for anyone who understands what exhaustion feels like, you’ll understand. I have also been wanting to write a substantial post on art, writing or similar, but that is yet to come. All I have to offer are a few pen sketches and a short excursion to talk about.

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The wait is almost over

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rbt

The past few weeks have resembled those in lockdown, when I waited to receive the first proofs of my book. I was thrilled when they arrived and to see the great job done on the cover  (I had four choices). One was particularly perfect for my story The (almost) true story of a man called Jack. But the hard work was far from over, as I now had the task of scrutinising the printed pages for any errors in the text, or any changes I wished to make to the proof. Before sending the manuscript to the print company I had gone over and over that MS, as well as having someone proof it a little earlier on in the process. Continue reading

New beginnings

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rhdr

view from my study

Slowly the world shrugs awake outside my study window as people respond to the lifting of the Covid19 lockdown while I am at my desk staring at my computer wondering what to post this week. The daily sketching exercises have ended, I haven’t been anywhere for weeks, so there were no new places to write about, and hadn’t I written about about a long-ago trip last week? Something would come to me; it usually does. And it has. I have begun writing a new novel length piece of non-fiction. Continue reading

A wonder of the world

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The Great Wall of China

Last week our tutor suggested we might sketch a wonder of the world as our weekly image for the group FB page. I immediately thought of The Great Wall of China. But heck, my visit there was back in 1997. A photograph. I knew there were one or two taken of me that hot day with the migraine and having to rest every few steps as we walked along  that magnificent structure. They weren’t online, as all our photos are these days, so I raced off to ask my husband to help locate them. Oh my gosh. What a man. There all the photographs were from that year, in his study cupboard, the prints sandwiched neatly between their pertinent negatives.  I was in awe. Let’s not mention my filing techniques here. Continue reading

A Reflection

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me sketching 3

Me sketching in Spain last year

Well, did I make the 100 sketches in a week? I’m afraid not. Yesterday was day 7 of the challenge and I didn’t have a sketch left in me. My grand total was 87, and although I was just 13 away from the 100 target, yesterday I just needed a rest. I feel good about my decision, and as a result I feel considerably more refreshed today. I also chose not to post my sketches on the Facebook page for this oneweek100people challenge, as I realised early on that I am just happy to be out sketching, and that I didn’t need to compete with zillions of others who were racing to reach the 100 mark.   Continue reading