A residency of some kind

A young version of K & I in Avignon 1994

Trying to discover why I had persisting pain around my mouth, head, et al. I went to see a doctor, a dentist, a jaw chap, a periodontist and a physiotherapist. After many months I had a scan to look at my sinuses, to find a large cyst was blocking my nasal passage. After fourteen months, from when I began this path of discovery, I am now booked in for an operation. To say that I’m not looking forward to having my nasal cavities explored is an understatement. Still, through all this annoying daily pain, I decided to find things which would take my mind off, well, myself.

I had read about an art residency in the French countryside, which appealed greatly, as Kerry and I had stayed in the area a long time ago, and loved it.

Avignon, looking to the famous bridge, 1994

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New Beginnings

The new smooth paper!

Hi to all. I do hope your Christmas break has been relaxing and you are once again immersed in your art, work, reading, or whatever moves you most. While our holidays are behind us here, there have been many disruptions to my intended outpouring of my art and writing project. I decided this week to give you some idea of why I’ve stalled on my most adventurous art project yet – a graphic novel. I decided to write myself back into this project, and here is some of what I wrote…

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The best laid plans for a short southern sojourn

The delightful town of Kaikoura

Kerry and I booked a short but interesting trip to Kaikōura, as part of a Great Journeys NZ trip. This included: a train ride, an overnight stay in a nice hotel, a dolphin excursion (or whale, or albatross watching), and a return train ride from Christchurch. We flew from Auckland to Christchurch, stayed overnight in an hotel, and with some excitement grabbed a taxi early next morning and headed to the station to catch a north-bound train, as Kaikōura is in the North Canterbury region in the South Island. We lugged our bags into the crowded station, went over to the ticket office, and after a quick exchange with the staff, found that our train had departed … Let me gloss over that part and leave you to fill in the dots any way you wish.

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Well, there is a little progress

Original rough, left side of double page spread

Last time I talked about my memoir with pictures, I showed a few pencil sketches of some pages I had nutted out. I have now sketched more pages, attempting to make a storyboard of the tales I wished to tell, or portray. This bit was easy. I love sketching in pencil and plotting scenarios based on my experiences when young, that was no trouble what so ever.

I studied other graphic novels to get a feel with how I wanted mine to look: a mixture of double pages in colour or black and white, and several pages with smaller images, as you might see in a comic, with speech bubbles etc., But then, I decided I should do at least one trial page in full colour as I imagined the larger pages should look. But, what medium to use?

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Back to the memoir in pictures

You may have thought I’d never get going on this idea of a memoir of me as a youngster. True, I didn’t get far, but there were other things I had to do. But now I have looked through my initial rough sketches, and have decided to show them to you, I feel it is a small start. My plan, from here on in, is to complete a couple of images in colour on good paper, using watercolour and pencil, as a trial for the finished product. Today however, it’s just more pencil roughs. Except for the photo of me, left, taken on a Brownie camera in the 1950’s. Yes, I’m that old.

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A bit of this and that, or a memoir in pictures

Possible wrap around cover featuring ME!

This week I started in on some pencil roughs intended for the future graphic novel. Everything is guesswork on my part, completely experiential, as it’s the first time I’ve embarked upon this genre. Over the months I have picked up and examined many graphic novels, by women, mostly. This has been such an interesting exercise, as they are so different from each other and all brilliant.

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Things that fall

Final image

I’ve spoken often about how I love to go walking in my neighbourhood, and I didn’t let the previous night’s storm put me off. It was still blowing furiously yesterday when I took off, cap on under my red jacket hood. Sunglasses too, to keep the wind and salt air out. The debris on the footpath had me stop at the end of the block, and there I stooped to uplift a fine collection of fallen goods. I picked up a large leaf, (from a magnolia I guessed), two small pōhutukawa leaves sporting radiant autumn colours, a seed of some sort and a small feijoa. Feijoas are loved and disliked in equal number here. I love them. To eat, one should slice them in half and scoop out the middle with a teaspoon, But this fallen delicacy was way too small to eat.

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A lull in proceedings

For all my excitement about my new novel, and tripping about to speak at book stores etc., I admit the busyness over the past few weeks has seen me flop on my bed for ‘Nana Naps’ most afternoons, my thoughts of sketching lost in dreams.

However, I woke feeling fresh this morning (ye ha!) and made a start on sketching three small figs on a saucer, before taking off to walk by the sea. So lovely with the hint of autumn in the air and tui going crazy in the trees.

My batteries were re-charged.

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The things we do

It’s been a very busy time with family staying (there were many spread over the weeks), and me working on promotional material for my novel throughout to meet the publicist’s deadlines. But there were nice moments, like drinking Prosecco on the patio with family. It was a brother-in-law who spotted the clay forms clumped on the outside table, and said “what are these?” “You may well ask? I replied. “I made them years ago, as part of my teaching degree.” I was a late starter regarding my education, and began this, my first degree, at fifty. And although I had been tutoring art to adult students for years before this, I decided to give academia a go.

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No final painting but there is this

La Femme au Bain by René-Xavier Prinet, around 1888

The final class was cut short, as we were to be given a talk about the painting by Charles Goldie, which is where the classes began. To recap, we were handed a copy of the painting and were asked to copy it. But what I never realised until this talk was, that Goldie had copied his La Femme au Bain, from an original, for on the bottom of the painting it reads ‘after’ René-Xavier Prinet. Both artists studied at the Académie Julian in Paris around the same time. So, I had made a copy of a copy. I didn’t know what to think. I guess seeing both men could certainly paint, I must have learned something through close observation.

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From sketch to canvas process

Continuing on from last week, when I showed you the charcoal sketch (see above) which I would be transposing onto an A2canvas. As I am going to take you through that process I thought it would help to include it here as this is the pose I shall continue to work from.

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The last stages

I worked a little on the painting yesterday, and this is the image here. I left it to dry overnight and returned to it today.

I will work on it a little tomorrow and hopefully it will be done.

I should have waited until the paint had dried to take the photo as every brush stroke is laid bare (unintentional pun).

I have decided to trim the image and focus on the model and not include the barely discernible chair at the periphery of the scene in the original. I think this format works better in my view.

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I believe in challenges, or I used to

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There is a new baby arriving any day soon, a great-grandson no less! With the baby being Australian, I immediately thought, ah ha! I’ll knit him a toy from my Australian knitted toys pattern book. It’s true, I do have such a book, and I found the perfect animal to knit. As an experienced knitter, and having made other toys from this book, I assumed it would come easy to me. However…

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Mimesis

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Mimesis is a word I’ll never forget, as it was written in capital letters on a whiteboard in blue, as the subject of my first ever writing class at university. I sat in the auditorium waiting for the lecturer to appear, wondering what on earth I was doing there, as I was a ‘mature’ student and didn’t have a clue what the word meant. I think after all these years I have got a handle on its meaning. It is when life is mimicked through Art and Literature. Yesterday I reversed this process, when my life happened to imitate literature – through inadvertently copying a character’s behaviour from the novel I am currently writing. The problem might be different: solo travel for my character, and swimming alone, for me, but the underpinning for both women is anxiety, and the desire to change.

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One I shouldn’t post perhaps

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This past week or so I’ve been attempting to build the word count on my novel, and I have done reasonably well – a small pat on the back for that. However, I decided I’d take a short break and do another sketch. When I took the photograph a while back, I thought ‘that’s nice’, and with that mediocre response I chose to work up a sketch from the photo. Probably not a good premise to begin with. Or, was it the new phone, with the new camera which is brighter in colour than my last one?

Anyway, I kept going with this sketch, and kept adding this and that, then trying to remove this and that. I guess I should have given up at this stage.

The this and that were the various mediums I tried. I am not a watercolourist but sometimes I can play around and have something turn out okay, but this wasn’t one of those times. I used Aquarelle pencils too, and remembered how bright they were once I put water through the pigment. I used water-soluble ink pen, too and the ink spread too far! So I kept adding and taking away until I came up with the next version of messing stuff up.

I added more pencil across the sky and hill, not adding anything in my opinion except to make the sketch muckier. But I decided to show the sketch regardless, as it just goes to prove work doesn’t always turn out as well as it might.

I am not going to beat myself up about this one, but really, I have been making the same ‘mistakes’ so long, you’d expect that I’d learn when to stop, wouldn’t you? I could have just got out a new piece of paper and done something different. Left the watercolour bit for another time.

Better luck with your work. All the best, Vivienne.