Chasing the perfect clouds

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Constable clouds

John Constable c.1824

This post began as I was searching for information on artists who used extra long brushes for painting, after a fellow artist-blogger had mentioned Matisse using this method. I knew that several of the old masters painted in this fashion but I drew a blank with finding out whom. The British artist Constable seemed to ring a bell, so I added his name to the search. But I could find nothing about his use of the long paintbrush either. However, I scrolled through many images of his paintings and quite by chance I found something altogether amazing (see above). Continue reading

Setting the record straight.

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coverLast week I had a folder of artwork returned to me from a publisher who was moving premises. It was the first book I had illustrated, and I never expected to see the illustrations again, as royalties were paid in advance, thus becoming the publisher’s property. I had enjoyed drawing the illustrations, which were of a young Vietnamese New Zealand girl. However, I had always held a gripe about the finished cover, showing an image which was not what I actually drew. I had drawn two images of the girl inside the plane, one at the beginning, minus the box, and the other at the end holding the box. Both images I drew with the girl’s eyes shut. So what had happened here? Continue reading

What’s hatching?

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A favourite pen

I was pleased to be asked to join another of Tony McNeight‘s sketching classes on the weekend; the topic – cross-hatching, and the medium, ink. It was some time since I’d used the technique but I was keen to give it another go. True, my tools were ancient, but in good form, since I’d recently cleaned my pens out and replaced the ink cartridges.  Continue reading