I may have not read My Brilliant Friend by Elena Ferrante if my friend Liz hadn’t passionately recommended it to me. I was down at the library to borrow it immediately. My reasons for haste were because I was going to stay with her in a couple of weeks and I wished to be prepared for the discussion about books and writing I knew we would have. Liz and I met as young teens, at school in the sixties, two clever but disaffected kids. Not unlike Lia and Lenù the main characters in Ferrante’s book, the first in her Neapolitan series, Book One: Childhood, Adolescence.Continue reading →
I would have written more posts of an arty nature if I hadn’t been so busy keeping to a different kind of writing deadline. For those new to my posts, I began a story about my father a couple of years back and I was never diligent in keeping to the schedules I set myself. Well, finally I decided that enough was enough (see my post, Deadlines, Oct 25th). Yes, it’s true, an amazing thing, for I have been keeping to that self-set deadline, of finishing the draft of a novel by mid-January. I have found the going sluggish at times, not with the writing itself, but with the research and detail I need to keep this story authentic. Continue reading →
I read Owls Do Cry by New Zealander Janet Frame (1924-2004) when I was in my twenties. Not that that is remarkable. What is remarkable is her personal story, which translates into fiction through much of her work, and this novel is no exception. The setting is the coastal town of Oamaru where the ‘Withers’ family face many hardships, including money problems, mental health issues, a disabled child, death, and grief. It is a profound book, touching and disturbing, for when Frame writes about ‘Daphne’s’ experiences in psychiatric hospitals, she is speaking of herself. There are passages which float between the lucid and the wild but Janet Frames’ writing carries the reader into these worlds using unique and brilliant prose. Continue reading →
Deadlines are something usually associated with the workplace, school or universities. Who hasn’t sweated to complete an assignment or task on a specific day? Those days were over, I thought, when I began writing to suit myself, when I could apply my own rules to the short stories, or novels I wished to produce. This worked, for a while, but when I was no longer in the paid workplace, or engaged in study, I found that the earlier discipline I’d applied to both my art and writing, was lacking. Continue reading →
“Everyone should read this,” my friend Betty said, handing me a book she’d been telling me about. I glanced at the tile The Choice, noted it was an International Best Seller, and immediately slotted it in the popular novel category I mostly stayed away from. “It really is worth reading,” she emphasised, no doubt sensing my scepticism. I needed something to take my mind off my husband’s illness and my stressed state, so thanked her for the read and left.
That night, I couldn’t sleep and began reading The Choice. The author, Edith Eger, is a Holocaust survivor, but before I reach that part of her story, the introduction has captured me. Continue reading →
I have already mentioned how much I enjoyed Madeleine Thien’s book Do Not Say We Have Nothing (see post 29 July) but what it stirred in me was not just the plight of its characters and the awful choices they had to make, but the strength of the love which bound people together despite their dire circumstances. It reminded me of a novel that someone I know intimately wrote a few years ago, but left untouched, as she struggled to think of a way to correct the structure. Continue reading →