I read Owls Do Cry by New Zealander Janet Frame (1924-2004) when I was in my twenties. Not that that is remarkable. What is remarkable is her personal story, which translates into fiction through much of her work, and this novel is no exception. The setting is the coastal town of Oamaru where the ‘Withers’ family face many hardships, including money problems, mental health issues, a disabled child, death, and grief. It is a profound book, touching and disturbing, for when Frame writes about ‘Daphne’s’ experiences in psychiatric hospitals, she is speaking of herself. There are passages which float between the lucid and the wild but Janet Frames’ writing carries the reader into these worlds using unique and brilliant prose. Continue reading →
I begin with the destination, for there are approximately 650km between Auckland, where I live, and Wellington, the city I drove to last week with my daughter Lara. This was a long-planned road trip to see the phenomenon of the World of Wearable Art show, which so many have seen in its thirty-year history, but has managed to elude my daughter and me. This may have remained the status quo if I hadn’t seen a figurative print in a local gallery earlier in the year that I instantly desired, and wished to hang on my newly-painted studio wall.
Last weekend I was down in Christchurch and was invited to see a play at the Court Theatre. I knew the essence of the story from seeing the film in the early ‘nineties. My son insisted I see it, as he thought it time I experienced a horror movie. Misery the play, like the film, was adapted from the book by Stephen King. I wondered whether the play adaptation might seem dated as years had slipped by since the book and the film appeared. However, the reviews for the play were very positive, and I stepped into the theatre on Saturday night looking forward to a second spooky experience. Continue reading →