Imagine life seven years after a virus (an electronic one, the Crash) has taken down all electronic services world-wide. So, no computers, no devices, no plane towers, no planes, power or petrol. The only access to food is to grow your own; the only way to get around is by foot, bicycle, boat, or horse. That’s the premise of Tina Shaw’s latest novel, Ephemera. Continue reading
Sketching the cover of the book you are currently reading was on the list of suggestions that our sketch tutor gave us, to keep students busy while in lockdown for a month. It’s been a great motivator, and occupation, while (mostly) confined to our homes. Continue reading
I may have not read My Brilliant Friend by Elena Ferrante if my friend Liz hadn’t passionately recommended it to me. I was down at the library to borrow it immediately. My reasons for haste were because I was going to stay with her in a couple of weeks and I wished to be prepared for the discussion about books and writing I knew we would have. Liz and I met as young teens, at school in the sixties, two clever but disaffected kids. Not unlike Lia and Lenù the main characters in Ferrante’s book, the first in her Neapolitan series, Book One: Childhood, Adolescence. Continue reading
“Everyone should read this,” my friend Betty said, handing me a book she’d been telling me about. I glanced at the tile The Choice, noted it was an International Best Seller, and immediately slotted it in the popular novel category I mostly stayed away from. “It really is worth reading,” she emphasised, no doubt sensing my scepticism. I needed something to take my mind off my husband’s illness and my stressed state, so thanked her for the read and left.
That night, I couldn’t sleep and began reading The Choice. The author, Edith Eger, is a Holocaust survivor, but before I reach that part of her story, the introduction has captured me. Continue reading
‘Do Not Say We Have Nothing’ is not a title supported by my new bookends, sadly enough, but it was on loan from my book group. The author of this moving novel is Canadian Madeleine Thien, and I am pleased that I was given the opportunity to read her work.
My husband bought this book for me, having read a review online praising the writer. I have read many collections of short stories in my time, including the likes of Katherine Mansfield, Doris Lessing, John Steinbeck, Janet Frame, Raymond Carver, and Alice Munro. Until I unwrapped the book and read the cover, this was the first time I’d met the author. Continue reading
I have begun the year reading through the backlog of books which has been accumulating beside my bed. One I was keen to get to was the hefty tome of Haruki Murakami’s recent book, Killing Commendatore. But I let it sit, while I read one of his I’d been given earlier as a birthday present; Men without women. This book features seven short stories, plucked from various collections. It contained the wonderful prose and wit, which I’d come to love from this great Japanese author. I have read a number of his novels and have kept all the titles I’ve read. However, If I hadn’t been given a publication of his as a present years ago, I doubt that I’d have plucked one from a shelf. I like reality, the known; whereas Murakami is unafraid of having his characters venture into very different realms, and he has managed to entice me into those worlds, through his mesmerising prose.
I like to take a break late afternoon, and sometimes prop myself on my bed and pick up my latest read. This week I began to re-read a book which was passed on to me in December. On finishing, I passed it onto another friend and regretted doing so, as I had liked the book Charlotte very much indeed.
When I was hunting in our local bookshop, I spotted the book and bought it immediately. I had not read any of novelist David Foenkinos’ books before reading Charlotte. Fortunately the French is translated seamlessly into English by Sam Taylor. It is literally a joy to read.
To many, the theme of generational suicide might persuade readers not to lift the cover; although it was the cover, which first lured me inside. The book seems to come from another era; it is hard-backed and beautifully crafted, with marbled end-papers and simple type on thick cream pages. It is a book to be handled. With Love. Continue reading
I began the year reading Peter Carey’s latest book A Long Way From Home. That it was advertised as a thrilling high-speed story appealed to me and the fact it was written by a favourite Australian author. It’s set in the 1950’s: a time I remember as a young child; though of New Zealand, not Australia.
I was still carrying around the impact of an earlier novel of Peter Carey’s I’d read, called His Illegal self, in which the main character is a boy called Che, whom Carey portrays with utter authenticity. As I opened A Long Way From Home, I wondered whether I’d be equally impacted by a character, and how the story would affect me. Continue reading