The significance is that the Pōhutukawa (Metrosideros), with its showy scarlet flowers around Christmas, has since shed those beautiful blooms to the wind. The Pōhutukawa comes in many forms and sizes, and it was the shrub I came across in my relatives’ garden which took my fancy on Boxing Day. This was the Pōhutukawa (Metrosideros ‘Tahiti’), a compact shrub approximately 1m x 1m with its yellow flower stalks and the soft sage green of the young leaves I thought delightful. Well, to this artist’s eyes at least. I had an immediate desire to draw it, and trimmed off a piece of branch with a pair of secateurs (with permission from said relatives).
Last post, I talked about the Heide art museum and Barbara Hepworth’s sculpture. One piece, sculpted from stone had instant appeal to me. While examining it from all sides, and peering into the carved out holes, I decided I would like to draw it once I was back home. Why draw a stone? I hear you ask, and the answer for me is simple. I love drawing texture. I would have liked to sketch in the museum, but that was not possible, so, the next best thing was to take a photograph, knowing I could work from it later. Little did I realise at the time, that I was going to be stuck indoors as Covid came to visit, and thus my promise to draw the Hepworth came to pass.
Last week I took a short break to Wellington, New Zealand’s capital, and my old home town. I went specifically to stay with a friend I’ve known most of my life, and now that she lives alone, I try and visit often. Jayne is Wellington-born like me and lives in an apartment high up on The Terrace which affords marvellous views out over the harbour. It’s a great place to see the breadth of changing cloud with each shift of the weather, and I could spend hours watching its passing moods.
This post has been too long in the making, as I got swept away with novel writing – again. Not that I am personally sorry about adding to that storyline, but regret I didn’t continue the sketching theme of my last pōhutukawa post sooner. The plan changed slightly too, when I finally got around to sketching the pōhutukawa buds, which were pale green with a fluffy outer, yet tightly bunched, when I photographed them. They have since undergone a dramatic transformation.
For the past three Tuesdays, while at my volunteer job in the local community art gallery Depot Artspace, I have found myself in an interesting situation. The current exhibition is titled Sex Workers of Aotearoa: A DAY IN THE LIFE OF, 2020, curated by a member of the group. And although the curator and many of the artists have shown their names, for privacy reasons I have chosen not to include them. Our manager had said that we may need to be aware of some peoples’ reactions, and if we felt uncomfortable with speaking about the artworks, to seek assistance from management. Continue reading
A relative of mine thought it strange that I would write my father’s story as fiction. It makes sense to me, I told her, as he was with us for just a few years, and I was looking back on our time together from many years later. What would the truth be, if I wrote the work as non-fiction? I had to call on my memory as a child to put together the essence of my father’s life, and to also borrow my siblings’ memories to complement my own. It is known that memory is both fallible and selective and fiction is always based on some version of fact. Continue reading
Slowly the world shrugs awake outside my study window as people respond to the lifting of the Covid19 lockdown while I am at my desk staring at my computer wondering what to post this week. The daily sketching exercises have ended, I haven’t been anywhere for weeks, so there were no new places to write about, and hadn’t I written about about a long-ago trip last week? Something would come to me; it usually does. And it has. I have begun writing a new novel length piece of non-fiction. Continue reading
Last week our tutor suggested we might sketch a wonder of the world as our weekly image for the group FB page. I immediately thought of The Great Wall of China. But heck, my visit there was back in 1997. A photograph. I knew there were one or two taken of me that hot day with the migraine and having to rest every few steps as we walked along that magnificent structure. They weren’t online, as all our photos are these days, so I raced off to ask my husband to help locate them. Oh my gosh. What a man. There all the photographs were from that year, in his study cupboard, the prints sandwiched neatly between their pertinent negatives. I was in awe. Let’s not mention my filing techniques here. Continue reading
What a difference a day makes, as the song goes, and Day six of my sketch challenge was certainly the best sketching day of the week. The Saturday sketch group that I am part of met at a different venue this week: Britomart, Auckland’s central train station. Our tutor Tony was continuing to look at one-point perspective, in relation to trains stopped at the terminus, as well as sketching people on the platform. I had told Tony about the sketch 100 people challenge, so that would be my focus. But first … Continue reading
Today just didn’t pan out I had wished. A bad sleep. A morning meeting. But I did do two contour sketches in pen (from photos) before I left for my second attempt at finding people at the ferry terminal. And what a beautiful day it was for walking. Oops, bumped into a friend and accepted the invite for a cup of tea. At least we chatted about sketching. Continue reading