From a novel to film to performance

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I read Owls Do Cry by New Zealander Janet Frame (1924-2004) when I was in my twenties. Not that that is remarkable. What is remarkable is her personal story, which translates into fiction through much of her work, and this novel is no exception. The setting is the coastal town of Oamaru where the ‘Withers’ family face many hardships, including money problems, mental health issues, a disabled child, death, and grief. It is a profound book, touching and disturbing, for when Frame writes about ‘Daphne’s’ experiences in psychiatric hospitals, she is speaking of herself. There are passages which float between the lucid and the wild but Janet Frames’ writing carries the reader into these worlds using  unique and brilliant prose. Continue reading

Experiential Learning

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The week started well. I kept to the deadlines I’d set myself regarding my story: meeting with the editor, sending her the ‘almost ‘finished’ manuscript and continuing to write, write, write. I set my deadline for finishing the entire MS too, just eight weeks away from the day of meeting. After a week of writing I decided to work on my painting;  just for a day. I opened the ‘how to’ art book at the page which suggested ways to achieve tonal values. The best option for beginners was to use one colour, mixed with white.  I chose Sap Green, mixed it with white and thinned the paints with linseed oil. The addition of Phtalo Blue was a personal inspiration. Continue reading

A deviation from the usual

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cordoba hotel

In May, after leaving Seville and the sketch group, we travelled on to Córdoba. The city was old and quite lovely, with streets so narrow our taxi almost scraped the walls. We turned into a  square and stopped in front of our modern hotel. I was impressed. My husband less so, when I took the invitation to ‘upgrade’ our room. Boy, what a room. King-size bed, windows and balcony; I had no regrets about my decision, after the dingy, and rather stinky room at our last stop. However, it is not our hotel, or the wonderful churches, and artisan stores which surrounded our hotel, that I wish to dwell on here, but a different part of the city where we ventured. Continue reading

Domestic sketches

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To wind up this series of what I found in my art folders I have decided to show some  sketches – people, plants, animals, and objects – which I drew in and around my house. I have always loved using graphite pencil and this aluminium teapot was a perfect object to draw, given its shape and sheen. I really like the contrast of light and cast shadow. I must have placed the teapot near the edge deliberately so the curve of the table showed in the composition. Continue reading

With a little help from my friends

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Sketch Spain group

Sketch Spain group

This post is about others –  the other sketchers whom I was lucky to spend time with on my recent trip to Spain. Why was I lucky? Because I learned rather a lot from them. The group may be surprised by this statement, as many are new-comers to sketching and are rather modest about their outcomes. But they have an approach to their sketching, that I, as a long-standing ‘sketcher’ lack. Continue reading

Reading someone new to me

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My husband bought this book for me, having read a review online praising the writer. I have read many collections of short stories in my time, including the likes of  Katherine Mansfield, Doris Lessing, John Steinbeck, Janet Frame, Raymond Carver, and Alice Munro. Until I unwrapped the book and read the cover, this was the first time I’d met  the author. Continue reading