The heading refers to a new documentary on the famous artist Amedeo Modigliani, best known for his lean-faced unpretentious portraits; portraits I have admired, even copied as a student, over the years. I viewed the film a week or so back, and was pleased to be re-acquainted with the man. I knew a lot of his life story, as he has been much written about, and I am lucky to have read many books about him.
The documentary, directed by Valeria Parisi, was released on the 100th anniversary of Modigliani’s death (Jan, 1920).
The week started well. I kept to the deadlines I’d set myself regarding my story: meeting with the editor, sending her the ‘almost ‘finished’ manuscript and continuing to write, write, write. I set my deadline for finishing the entire MS too, just eight weeks away from the day of meeting. After a week of writing I decided to work on my painting; just for a day. I opened the ‘how to’ art book at the page which suggested ways to achieve tonal values. The best option for beginners was to use one colour, mixed with white. I chose Sap Green, mixed it with white and thinned the paints with linseed oil. The addition of Phtalo Blue was a personal inspiration. Continue reading →
A few months back I did a pencil portrait of myself, and was pretty pleased with the results. I wrote a blog about that process at the time. More recently, while in London, I visited the Portrait Gallery, as they run the BP annual portrait competition and exhibit the short-listed paintings, and winners. I liked many of the paintings, but there was something special about Frances Borden’s work that appealed to me: the (seeming) simplicity of the composition, and the bold choice of colour. “I think I’d like to try a self-portrait in oils,” I told my husband, buying a postcard of the work from the gallery gift shop on the way out. Continue reading →