One persimmon

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This week I’ve been unsettled as I wait to receive my manuscript back from the editor, so I can go over my work for the last time. I have all the extra bits of writing required for sending off to publishers, even the dratted synopsis, waiting in the wings. The synopsis was scrutinised by my husband, daughter, and members of my writing group, and finally I was happy with it.

While pacing my study, I looked at the two beautiful persimmon I was given the other day languishing on my desk and knew what would help me relax. I would draw the fruit!

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And wait, there’s more about the first draft!

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A recent photo of Oriental Bay, Wellington [photo V. Lingard]

Yes, the first draft is done, and now sits with the reader, though I would like to add a little more about what went into reaching that goal. Writers will know that it isn’t just a matter of coming up with a great idea and sitting at the computer and let the words fill the pages, easy peasy. There is the matter of plotting, and making a loose timeline. For me the setting was 1970s Wellington and the years my protagonist lived there. I sketch this out by hand rather than type it up, and mark where I think specific scenes, or events may occur. What was happening during those years? Research next, to top up my memory of these times. So much goes into this, for example: what movies were shown, what music was played, who was prime minister, what sports were popular, what programmes ran on the radio? You get the idea.

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Editing: keeping it interesting

A writer at work

I am currently in the process of reading through twenty-one of my short story manuscripts, following my reader’s track-change suggestions. As Suzanne is very good at her work, I mostly click ‘approve’, and keep scrolling for the next comment. I always re-read the work after this initial browse, in case I find any small thing I think will improve the flow, or a word which now seems inappropriate. Why would you change anything at this stage, you might be thinking? Well, it is because these stories span ten years of writing, and some of those early ones may still require more ‘tightening’.

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If you are new to writing this might help

Writing_critique_group_small

It is some time since I wrote about critique groups (post March 2018), so thought you might like to read a more recent article I wrote for an independent publishing house on what new writers might expect from a critique group. I still belong to a writing group and continue to enjoy the process of having others read, listen to, and give feedback on my work.  Writing can be a lonely occupation and it is good to mix with others who share similar interests. Continue reading