In an earlier post I talked about how some stories start; namely the ‘fictional memoir’ as I called it then, a novel-length story about my much-loved father. I so wished to keep going with this project, but I was stuck – call it procrastination, writer’s block, or what you want – but I was desperate to keep the promise to my daughter to write about the grandfather she never knew. So how did I break this writing drought? Continue reading
Setting the scene: The staffroom of an English teaching school in Japan. It is morning. A young Scots teacher is fiddling with papers. It is a matter of minutes before our classes start when an Australian male colleague enters. “You are looking very kempt this morning,” I say, pointing to the tie. This is so far from his usual ruffled appearance, I am shocked – almost to the core.
Lara and I, and other bag-totting lookalikes, stepped off the water taxi at Venezia Lucia Station. All eyes lifted to the arrivals screen. What! The sleeper train to Paris had been cancelled. “Information Office,” I shouted and a mob ran with us the length of the platform.
“It says cancelled. But it’s not,” the official snorted, making a shooing action as if we were flies. “Keep watching the screen.” And thank you too, I muttered.
Try holding two shoulder bags, nailing a big case with a foot while nibbling pizza from a paper bag and holding your eyes on a screen. “It’s arriving,” a backpacker yelled an hour later, and we stampeded down the platform like fleeing refugees.
ARTISTRY 