The work in progress: week two

Last week’s underpainting

Following last week’s effort, I thought a good deal about how I would approach the second class, realising there was a chance of not been offered any specific way in how to apply oil paints. I decided to progress my painting by instinct; it wasn’t as if I haven’t drawn from life, and although my painting history has revolved around fiddling with watercolour, I have used acrylics before. And, I do know a reasonable amount about colour, albeit using pencils rather than paint. During this session we were encouraged to go and view the original painting again. It was difficult to see the actual paint strokes as it was behind glass but we did agree the painting was lighter in tone and showed the colour more effectively than the photocopies we were working from.

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Becoming a student again

by Charles Goldie (NZ artist 1870-1947)

On Saturday I attended my first of six art classes at the Auckland Art Gallery in painting the figure using oils. It’s been over twenty years since I last tried oils, and had all but forgotten what to do, so was keen to gain some new skills. The above image is the one the class was to attempt to paint from; presented to us in photocopied form, the colours even more subdued than the original image shows. We were also handed a slightly smaller version with a grid pattern superimposed. I looked at the grid, knowing it was often used for beginners learning to draw proportions. I hadn’t used one ever for sketching the nude. However, I was keen to do what everyone had been instructed to do, and set about marking up a piece of paper with the same grid proportions.

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A special interest in this year’s World of Wearable Art

Te Ao Mārama entry by Fran and Lauren Kidd
The World of Wearable art show is a New Zealand invention conceived by Dame Suzie Moncrieff, Nelson. The fashion extravaganza was shown in her hometown from 1987 until 1990, when its gathering popularity demanded a shift to the capital city, Wellington. WoW had become a phenomenon. In Dame Suzie’s words, she describes what WoW personifies for her:

“To take art off the wall and out of static display. To adorn the body in wildly wonderful ways. To celebrate creativity in a lavish and unique on-stage spectacular that will inspire us all.”

And inspire it certainly does, attracting entries from all over the world, which have audiences looking forward to the annual event with much anticipation and excitement. Especially this year.

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