Standing out from the crowd

unique-concept-871298040039yi8-e1522820284585.jpgIf you have been following my blogs you will know that reading and writing take up a fair chunk of my life. My passion for the written word started early, as I was read to as a pre-schooler, and once I could read, I couldn’t stop. I became a keen visitor to the Upper Hutt public library taking home many books at a time. As a teen I was fortunate to read some excellent writers of short fiction. Two that resonate with me today are Janet Frame, one of our (New Zealand’s) most respected authors, and Britain’s Doris Lessing. I have read so many other authors since I have lost count. It is not these lauded authors I wish to speak about however, but what makes a story stand out for me, and why I can remember it, months or even years later.

Continue reading

Not your average train trip

Venice

Lara and I, and other bag-totting lookalikes, stepped off the water taxi at Venezia Lucia Station. All eyes lifted to the arrivals screen. What! The sleeper train to Paris had been cancelled. “Information Office,” I shouted and a mob ran with us the length of the platform.

“It says cancelled. But it’s not,” the official snorted, making a shooing action as if we were flies. “Keep watching the screen.” And thank you too, I muttered.

Try holding two shoulder bags, nailing a big case with a foot while nibbling pizza from a paper bag and holding your eyes on a screen. “It’s arriving,” a backpacker yelled an hour later, and we stampeded down the platform like fleeing refugees.

Continue reading

Who needs critique groups?

writing.jpgWriting hands by Karen [CC-BY 2.0]

 

Who needs critique groups? Only people who don’t believe they need to learn more about the elements of writing, and think they already know how to create good authentic language. Or, they may think they are experts on grammar, or point of view, pace, structure, etc. Now, it is not as if we go about with the elements of writing as a list to draw down as we write, but when starting out on this writing path, it is good to check on our progress once in a while. Complacency can trip us up.

Continue reading

Another brick in the wall

Art class week three: A personal disaster. I thought one way, the tutor thought another, although I believed I was following the brief; which was to think about a character, an object and a setting, in readiness for a triptych we were about to set in action. First, we would work in monotone, and focus on a character. I hadn’t brought along any images but had an idea of what I’d like to create – something that would fit nicely with the memoir I was writing; the most likely character being my dad, and the object, his wonderful (travelling library) truck.

head sketch‘Forget any story, and just draw,’ I was told. A character could be animal, not sure about
vegetable or mineral. As try as I might that morning, I could NOT unstick my ‘story’ from my head, and surprise, surprise, as hard as I tried to sketch other ‘characters’ from varying perspectives, my work became more abysmal by the hour. I produced a sheet of caricatures, which failed to make anyone laugh. The best part of the session, was the cup of coffee. Home James (Vivienne in this case) and don’t let it get you down. Continue reading

A library of the travelling kind 

front truckBooks, books, books. My home is filled with them and so is my head, especially when it comes to writing about my dad. He was surrounded by books; not because he was a scholar, but because he had ingenuity in bucketloads when it came to earning his family’s keep. It was post war; his army service done. So what does a man do for a living, with no job, little education, with a wife and four children to look after? Why, he sets up a lending library service of course. He started small, with a stationary library in Gloucester Street, Silverstream (north of Wellington). And being the entrepreneur he was,  the idea of a travelling library soon followed.

Continue reading

An artist called Charlotte

I like to take a break late afternoon, and sometimes prop myself on my bed and pick up my latest read. This week I began to re-read a book which was passed on to me in Charlotte cover 2December. On finishing, I passed it onto another friend and regretted doing so, as I had liked the book Charlotte very much indeed.

When I was hunting in our local bookshop, I spotted the book and bought it immediately. I had not read any of novelist David Foenkinos’ books before reading Charlotte. Fortunately the French is translated seamlessly into English by Sam Taylor. It is literally a joy to read.

To many, the theme of generational suicide might persuade readers not to lift the cover; although it was the cover, which first lured me inside. The book seems to come from another era; it is hard-backed and beautifully crafted, with marbled end-papers and simple type on thick cream pages. It is a book to be handled. With Love. Continue reading

Art classes I have known

Charcoal sketch circa 1996

By the time my studio was up and running in the new apartment, I was too; anxious to get back to my art, and my writing. I was introduced to my first Life Drawing class at fourteen. I loved that first class, and I continue to love drawing the human form. I looked through my art folders and images of the figurative work I had exhibited, or sold, executed mostly in graphite and charcoal; a medium I like a lot. That was a while back. I have just joined an art class, where I wish to try out new mediums and techniques; open myself to find new ways of working. I hope it works out.

Continue reading

Why I knitted a year away

knitting-stuff-e1518647995580.jpg

It is often said that moving house tops the list for the most stressful situations in life. I’ve recently experienced that truth; we were moving, to an interim home in the country, just as my husband came out of hospital.

We looked out to lush pastures, Alpacas, ponies, and Shetland cattle. A bucolic setting; good for my husband’s recovery, and mine. Until … my heart decided to change its rhythm; racing at intervals, making me swoon (lovely word) during my daily walks. Continue reading

The San Francisco Writing Workshop

San Fran Hill2 cropped

The rooms at the art centre were somewhat austere, although the atmosphere created by the facilitator Tom Jenks, was anything but. He was, I learned soon enough, passionate about literature, and the nature of writing, but more of that to come.

As outlined in the programme, mornings began with two participants being critiqued. Extracts were read in turn. Next, would be the feedback from the group, as these were the works we had close-read previously. Tom would also encourage us to speak about certain aspects of the work and later, bring his ideas into the discussion, which sometimes became heated; especially I remember, when it came to my work. Continue reading

An unexpected journey

Fort_Mason_Center_and_Downtown_San_FranciscoI just happened to see an advertisement in a literary magazine I subscribe to,  Narrative, where one of the editors was calling for applications to his forth-coming writing workshops in New York and San Francisco. ‘How exciting’ I thought, and then squashed that frivolity with the prosaic ‘don’t be stupid’.

But I kept thinking about those workshops.  I had travelled to many cities in many countries, but not San Francisco. I was restless, my future in limbo, and decided I had nothing to lose by submitting samples of my work: a requirement for selection. Only twelve participants would be chosen; it was highly unlikely I’d be one of them. I sent off two short stories anyway and tried to forget the whole thing.  Continue reading