The State of Performing Arts

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Last week I had the pleasure of seeing my daughter Lara Macgregor perform in a play which was especially written for her and co-actor Mark Hadlow, by Gregory Cooper, writer and director. The play debuted at the Professional Theatre Company, which Mark Hadlow recently formed in Nelson – a brave and brilliant move given the current unstable nature of the performing arts industry in New Zealand. I was pleased that Mark brought the play to the Sky City Theatre Auckland soon after its debut giving many more New Zealanders the opportunity to see it.

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Living with drama.

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I mentioned in my last post that my daughter Lara was staying with me, as she is directing a show for the Auckland Theatre Company – opening night this coming Thursday. That is … if the shocking weather we are currently experiencing here doesn’t put pay to that. I could say, well it won’t be the first time a show has been cancelled, and some of you may even think, so what? I’ll give you some facts here: personal ones. My daughter is an actress and director of stage; whether it be a drama, comedy, or a play with music, as is the current show.

All people associated with theatre in New Zealand have had it exceptionally hard since Covid slipped through our borders. Every show starts way before the curtain goes up, with the programme planned, often years in advance, before the call goes out for auditions. With other careers, during Covid restrictions, many people were able to work from home, thus keeping some consistency of work flowing. For the performing arts sector; face to face auditions could not be held, which meant actors had to video their own audition pieces and send to the director or directors involved. And even if they were accepted for a role, there were no guarantees that the show would go ahead.

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