And wait, there’s more about the first draft!

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A recent photo of Oriental Bay, Wellington [photo V. Lingard]

Yes, the first draft is done, and now sits with the reader, though I would like to add a little more about what went into reaching that goal. Writers will know that it isn’t just a matter of coming up with a great idea and sitting at the computer and let the words fill the pages, easy peasy. There is the matter of plotting, and making a loose timeline. For me the setting was 1970s Wellington and the years my protagonist lived there. I sketch this out by hand rather than type it up, and mark where I think specific scenes, or events may occur. What was happening during those years? Research next, to top up my memory of these times. So much goes into this, for example: what movies were shown, what music was played, who was prime minister, what sports were popular, what programmes ran on the radio? You get the idea.

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Flamenco in my own backyard

Ian Sinclair, Krasna Ristori, Steve Cournane in the Tasca restaurant

I’ve long been a fan of dance, learning ballet as a child, possessing a dancer’s heart, but little natural ability. However, the desire to dance never left me, and as a thirty-something adult I returned to ballet. I began to feel my body move with more agility and learnt how to use it. Yeah! Around the same time, I noticed flamenco dance classes advertised and joined up. I came to love the dance with passion. Having a guitarist certainly helped the atmosphere, as we learned to arch our backs and move to the specific beats for hands and feet. I so enjoyed the sound of the dance and the stamping of feet. It was another twenty years before I visited Spain, and while in Madrid I got to see my first ‘authentic’ performance, taking place in Corral de la Morería, a cafe famous for its flamenco shows. I have continued to love the dance, the callers, the guitar and its passion. I have often idly wondered whether I might have some Spanish blood. 

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My Brilliant Friend

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I may have not read My Brilliant Friend by Elena Ferrante if my friend Liz hadn’t passionately recommended it to me. I was down at the library to borrow it immediately. My reasons for haste were because I was going to stay with her in a couple of weeks and I wished to be prepared for the discussion about books and writing I knew we would have. Liz and I met as young teens, at school in the sixties, two clever but disaffected kids. Not unlike Lia and Lenù the main characters in Ferrante’s book, the first in her Neapolitan series, Book One: Childhood, Adolescence. Continue reading

What should have been on my bookshelf.

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‘Do Not Say We Have Nothing’  is not a title supported by my new bookends, sadly enough, but it was on loan from my book group. The author of this moving novel is Canadian Madeleine Thien, and I am pleased that I was given the opportunity to read her work.

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