‘Do Not Say We Have Nothing’ is not a title supported by my new bookends, sadly enough, but it was on loan from my book group. The author of this moving novel is Canadian Madeleine Thien, and I am pleased that I was given the opportunity to read her work.
I came across more illustrations in one of my art pads; images I planned as part of a children’s picture book called Toby and the Tuatara. (see above). As in Flora’s story (2 posts back), I forwarded this work to a publisher. Again, there was praise for my illustrations, and a polite reason as to why the story did not fit their ‘lists’. I was subdued, maybe a little sad, that my stories were not considered good enough for publication. But did I let it bug me? Continue reading →
I am to be visiting Spain in April, for a second time. Last time I went with an old friend to attend a month’s teaching course in Barcelona. I loved Barcelona and had always contemplated a return. When I learned late last year of a 2019 Sketch Spain trip, I didn’t need any persuasion to add my name to the list. My husband is coming with me this time, with his camera, while I shall join a small group of sketchers. To build some impetus, and ideas for how I’d approach my travel diary, I joined Tony McNeight’s class for a map-drawing exercise as he thought this a good way to familiarise oneself with a new place. We were to emulate a schematic drawing of Devonport, using any style we wished, though keeping to the preferred mediums of watercolour and ink (see at end of blog). Continue reading →
Last week I posted Don’t rubbish that first draft, andasked readers to share their thoughts on whether they thought the first draft of the train story I had written some time back, was better than the second draft, which is my post today. Please feel free to comment. Continue reading →