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About viviennelingard

I am an artist and writer. I have been an an art teacher and as an illustrator of children's books. I love writing, whether fiction or non-fiction, and have written many short stories. I am also a keen reader and write book reviews, among other art related articles on my blog site – viviennelingard.net

Back to class!

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5-10 minute pose using stick charcoal, rubbed with my fingers.

Today I began my first Life Drawing class for some time: one of nine. I guessed that I’d be somewhat rusty; but when the stick charcoal began to side across the newsprint paper, I was in my happy place. I have always loved sketching the human form, and with a very good model it is about as good as it gets. This morning I chose a ‘Donkey’ bench to use, which for the non-arty is a narrow bench, with a stand at one end where aboard rests, and where one clips on paper to use. The user sits astride. Mm, some years have passed since this was may preferred seat for such sketching purposes. Next time, I’ll grab an easel to stand at, and have a Donkey nearby as back-up.

5 minute pose using stick charcoal, rubbed with my fingers

Our tutor guided what mediums we should use for the session, and was I pleased he’d selected stick (willow) charcoal for most of the poses. Charcoal is my favourite drawing medium when it comes to figure studies, and I was pretty happy with these first quick sketches after some absence from the drawing board. Several years back, figure drawing, tutoring and exhibiting was almost a full-time occupation for me. I used to engage models when readying for an exhibition, and grew to know just how vital the connection between model and artist is, to have a successful association. This takes in the models’comfort, giving the model space, and ensuring plenty of breaks throughout. The model needs to feel part of the group, to be shown respect, and not be left feeling ‘it is just a job’. Without the model there would be no life drawing – and for one, I wouldn’t be happy with that scenario.

I am posting just two sketches today, as I have yet to pack my bag for a trip to Christchurch to spend time with my sister. Don’t worry, I’ll be back in time for my class next week, and I shall be posting each week, all going well. I’ll mix the media up over the weeks, and that will be fun. Until then, stay well and keep posting. Vivienne.

Caravaggio revisited

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From The Soul and the Blood advertisement

Two weeks ago I took myself to see the film Caravaggio: The Soul and the Blood, which was part of the Italian film festival showing in our local cinema. I am a big fan of Caravaggio, and three works in particular, which appear in the movie. To think that I almost missed seeing these works in the flesh when visiting Rome some years back. The accidental way this came about is quite funny, I think, and why I’m reposting the story I wrote in 2018 about this experience.

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The sketch that almost wasn’t.

The since discarded sketch

Before I got caught up in the book hype, I had begun a sketch of two granddaughters that I wished to give as a gift. Luckily I had planned this well in advance of the birthday for the intended recipient. This sketch, like his birthday, is a surprise, but by the time this post goes out, my son should know that his parents and sister from New Zealand are part of that surprise. We have waited two and a half years to get back to Melbourne, and as you read this, that’s where we’ll be, celebrating my son’s birthday. But, back to the sketch… This is the initial sketch of the two girls, where I messed up the younger child. Soon after I started a second sketch of the girls. But instead of completing it quickly, I kept drawing a little then leaving it alone.

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Hundertwasser in New Zealand

Friedensreich Hundertwasser photo: Gerhard Krömer

Most art lovers will already know of Hundertwasser (1928-2000), an Austrian artist who lived in Vienna for many years of his life, and many will have visited the Hundertwasser House and museum opened in Vienna in the 1980s. But fewer will know of his link to New Zealand. In 1973 he travelled to New Zealand for the first time at the invitation of the Auckland City Art Gallery, where Hertha Dabbert had organised a travelling exhibition of his works. He visited the Bay of Islands during this time, and was so affected by the area that he returned a few years later and bought a farm. An impassioned environmentalist, he lived simply, off the grid if he could, returning from trips abroad, planting thousands of trees, establishing solar systems, and recycling as much material as he was able.

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I may be able to write about more than books soon!

Before everyone arrived

Saturday evening was the local launch of my recently released book Pocket Money and Other Stories. As this is the only decent photo taken on the evening, I can’t show you the audience listening to my readings, or me signing my books for the said people, so you’ll just have to take my word that the event occurred. It took place in the Devonport Returned Services Association rooms, in case you’re wondering about the Commonwealth flags and the photograph of HRH Queen Elizabeth 2nd on the wall behind me. On reflection, I was pleased that my first reading included mention of the grandfather who’d been killed during WW1, as it befitted my surroundings. A great venue for introducing my book to local people.

On the shelves!

Here is Pocket Money on the shelves of Paradox Books, Devonport.

Well, I had wanted to write all about my trip to the Hundertwasser Art centre I visited recently, but something caught my eye in my local bookstore. My book on the shelves already, which was sooner than I expected it to be! So, people, another blog about my jolly book. Or rather the bits and pieces which go into publicly announcing it on New Zealand media which is on-going. Reviews can take ages to come out, so I was told today, and I won’t always know when that will appear in the media. Do I need to have someone who will read the daily papers and check whether one story which was selected for an on-line source has occurred? It would be terrible to miss the very opportunities that might make me even a little bit famous.

Honestly, I have been so busy, filling out Q & A requests from media, taking calls from my publicist and mulling over all of this during the night when I’m supposed to be asleep! Tomorrow I am going to be pre-recorded for a national radio arts show, and have been checking through the salient points that I am most likely to be asked. I am actually not as anxious as I may sound, and think that the twenty minute interview will go well. I have listened to Lynn Freeman’s interviews many times on her Standing Room Only show, and she does have a nice approach, and comes across as well informed. Not being live, makes it easier, so I guess if there too many mumblings and um’s on my part, they can be edited.

Time for a lie-down.

The (frustrating) last lap…

Although Pocket Money & Other Stories won’t be released until June, at least the marketing is getting underway. It has been rather strange, sitting back, and letting the publicist take over the reins. With the last book, in 2020, I did all the marketing and promotional work, and over the past few weeks I’ve basically been fluffing around. But this week, I decided I must secure a venue for the June launch. One place had been mucking me about, and so, I visited a couple of others, which were unsuitable, and then? I found a very convenient venue, just down the road from my apartment. And now, I need to put the invitations and posters together, and get them ‘out there’.

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The last from the back of the cupboard.

Gus Gull, gouache, on smooth illustration board

Yes, a continuation of the sea creatures I illustrated for the Save Our Seas book I wrote about three posts back. To recap, I was asked to sketch cartoon characters, paint small scenes, draw a myriad of sea creatures, and a few coastal scenes.I have chosen not to put all the remaining images in here, as it would make the post too long, but I hope you like the cross-section of artwork I’ve selected for this one.

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Meanderings and accidental photos

Morning view from The Terrace, Wellington

Last week I took a short break to Wellington, New Zealand’s capital, and my old home town. I went specifically to stay with a friend I’ve known most of my life, and now that she lives alone, I try and visit often. Jayne is Wellington-born like me and lives in an apartment high up on The Terrace which affords marvellous views out over the harbour. It’s a great place to see the breadth of changing cloud with each shift of the weather, and I could spend hours watching its passing moods.

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More from the back of the cupboard

This week thought I’d show you some illustrations from the other book I mentioned last week – Eco-Rangers Save The Planet: Earth-friendly missions for green kiwis, written by children’s author Maria Gill. This book is A5 size, and could be slipped into a back pocket. It’s full of ways young people can think about the their environment and finds ways to keep it healthy. I was asked to draw the two main characters first, and make the boy and girl a bit funky. The book was aimed at young teens, so I looked through a great Taschen book on recent illustrations to get an idea of styles. My work would be grades of back on white, with green and blue being the background print colours.

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