Author Archives: viviennelingard

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About viviennelingard

I am an artist and writer. I have been an an art teacher and as an illustrator of children's books. I love writing, whether fiction or non-fiction, and have written many short stories. I am also a keen reader and write book reviews, among other art related articles on my blog site – viviennelingard.net

A focus on line to achieve form

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As I mentioned in my last post, Thursday would be the last of four Life drawing sessions held locally. Again we started with numerous quick sketches and we were encouraged to keep to pencil throughout. But I couldn’t resist using willow charcoal for a few the poses, as I particularly like the medium. I did use pencil, but it didn’t respond so well to the reasonably thick cartridge paper I had brought with me. The above poses were only a couple of minutes long, and are mere flashes of line on paper.

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Looking at light on form

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Willow charcoal & charcoal pencil, 1996

I went to my first Life Drawing classes aged fourteen with my dad. My brother and sister also attended at various times too. Dad was passionate about art and thought one of his children might catch the bug. However, I was the only one who ended up at art school, where I continued to sketch the figure. It was something I loved doing then, and have continued doing from time to time, ever since.

The above sketch was part of an exhibition of my figure studies completed that year. I hired a model, and worked in a studio above my garage to produce the work. It was great to have a comfy sofa the model could relax in, which resulted in many nice long poses. All the work sold, which was good, but when I realised I wished to keep one (the above image) for myself, on enquiry I found my agent had sold it that very day. Lucky I had taken a photo.

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A promise kept

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Cologne Cathedral

In last week’s post, I promised that you would see another sketch. Well, I did keep my word, and here it is, taken from a photo I took of the Cologne Cathedral on my recent travels. If you have followed my site, you will know I love sketching clouds, and that is why this sky over the Cathedral appealed to me. Nothing I like better than a great mass of brooding cumulus to get me going with the pencils.

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A couple of quick sketches, and sunny days in Lyon.

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I found little time while travelling up the Rhine to actually sit and sketch, though I did manage a few times. I have shown you the windmill sketch already, just outside Amsterdam. But here I show one sketched from my cabin as we moved closer to Basel and the finish of our cruise.

Beside the Rhine.

For this sketch I used fine pen, 6B pencil, and aquarelle pencil. I sketched swiftly across the two pages, getting this down in a matter of minutes, as dinner was ready to be served. I like using a darker pencil on a smooth paper (as this was), as I love rubbing the lead with a fingertip hinting at shadow or contour. I popped in blue and green to remind me of where I could lay a watercolour wash through at a later date. I never did the wash, but quite liked the immediacy of the sketch.

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Off to Cologne – The Cathedral & Museum Ludwig.

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The spires of the Cathedral under a moody sky

We continued our cruise through the night from Dordrecht, with me dreaming of the wonderful windmills we had seen in Kinderdijk that day. The ‘ship’ docked in Monheim at approximately 9am on Friday. Soon after we were on a coach and heading into Cologne where we would begin our walking tour. Our destination – the Cathedral. We needed to cross the bridge, you see in the photo, but so did zillions of others, and rather like we found in Amsterdam, the pedestrians had to fight with cyclists for the same space. I was surprised when the tour guide told us that we would likely be shouted at, or even sworn at by cyclists! And although I was never sworn at, the walk across the bridge was certainly memorable.

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Off to Cologne – The Cathedral & Museum Ludwig.

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The spires of the Cathedral under a moody sky

We continued our cruise through the night from Dordrecht, with me dreaming of the wonderful windmills we had seen in Kinderdijk that day. The ‘ship’ docked in Monheim at approximately 9am on Friday. Soon after we were on a coach and heading into Cologne where we would begin our walking tour. Our destination – the Cathedral. We needed to cross the bridge, you see in the photo, but so did zillions of others, and rather like we found in Amsterdam, the pedestrians had to fight with cyclists for the same space. I was surprised when the tour guide told us that we would likely be shouted at, or even sworn at by cyclists! And although I was never sworn at, the walk across the bridge was certainly memorable.

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Cruising along and visiting windmills

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Amsterdam to Basel

After joining the ship, we spent the first afternoon settling in to our cabins (named staterooms on board), and prepared to meet staff and other passengers whose company we’d be among as we made our way from Amsterdam towards Basel, the culmination of our river cruise. As we imagined, the food and wine was of a high standard and helped us enjoy the eight days on board very well. Added to this was a crew member, who doubled as a great pianist and singer, whom we listened to throughout the evenings pre and post dinner. There was a rundown by the Programme Director on the following days’ events each day, with guided walks included in overall cost of cruise, and other excursions which cost more. But, if you have trouble sleeping, I suggest you do such a cruise as I, an erratic sleeper, cannot recall such a sound sleep as we moved through the night, and docked without my hearing a thing.

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It all started in Amsterdam

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Amsterdam was where we would join the Viking Sigrun (they call it a ship, not a boat) and the other approximately 179 others who had chosen this trip up the Rhine for a week’s voyage. Kerry and I chose to arrive early in Amsterdam, giving us time to meet friends, and to rid ourselves of jet lag, after our lengthy flights from New Zealand. Over 36 hours should you wonder.

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When feeling a little off, why not sketch fruit which reflect those feelings.

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I am soon off to Europe for a trip and should be full of vim and vigour. At least producing more sketches for my next project, but I’ve done little except moan about toothache, or a pain that could be sinus, or it might be…? Maybe tomorrow the periodontist will come up with a name, but meanwhile a winter sketch has lifted my spirits – a little.

Starting point

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Frances Hodgkins’ wonderful legacy

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Frances Hodgkins (1867-1947)

When I learned the Gow Langsford Art Gallery in Auckland was holding an exhibition of New Zealander Frances Hodgkins’ paintings and Mary Kisler, an authority on Hodgkins, was to be speaking with gallery owner John Gow about the artist, I booked in immediately. I arrived early, as many were expected to attend, and I strolled around the gallery taking photos until the rooms swelled with viewers. I, like so many New Zealanders, have been attracted to Frances Hodgkins’ art for a very long time. Being an artist, I admired her determination not to be pigeonholed by any one style. She was adventurous, and prolific, working in many styles and mediums throughout her life. And although Hodgkins moved to Great Britain as young woman and spent most of her adult life there, she is still very much admired and loved by us here.

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