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About viviennelingard

I am an artist and writer. I have been an an art teacher and as an illustrator of children's books. I love writing, whether fiction or non-fiction, and have written many short stories. I am also a keen reader and write book reviews, among other art related articles on my blog site – viviennelingard.net

Port Douglas: Part 2

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The second week in Port Douglas passed in a similar pleasant style to the previous one, seeing us mingling with our friends at the beach, or over drinks in the evening. The weather was warm and skies calm until the end of the week, when strong wind ruffled the sea and waves rolled onto Four Mile Beach. Kerry was undeterred by the strong wind as he loves nothing better than body surfing the waves. I was happier either walking or sketching. But this week had a different focus, because we decided to visit a wildlife habitat a short distance from the town. Never before, I must add, had I ever posed for a touristy photo like the one you see here. I only agreed as I love owls. What a hoot!

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Port Douglas: Part one

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Kerry and I were lucky to be invited to spend time with old friends in Port Douglas, North Queensland, Australia for two weeks. We landed in Cairns (a 5 and a half hour flight from Auckland), and if you look closely on the map you’ll see Port Douglas marked above it. It is an hour’s drive further north.

We left in winter temperatures and arrived to a summery 27 degrees. The sky was blue, the water likewise. Too cold for ‘stingers’ we were told. Thank goodness for that I thought, knowing there were many that had wrapped their tentacles around unsuspecting strangers’ limbs in the past.

Four Mile Beach Port Douglas early morning

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The best gift

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A few weeks back I posted about my husband Kerry’s special birthday (80th). He received wine, chocolate and song at his party, but when he opened a box-shaped present later that evening he was amazed. For on the wrapping paper sat the most unique, but perfectly delightful gift. Some of you may have heard of, or even owned a tin SPACE PATROL vehicle with Da Da Sound. This model is circa 1970’s and from China, although there were earlier Japanese models through the 1950s and sixties. But neither Kerry and I had come across this toy in our childhood, or vroomed one around a room. I know I was was overjoyed to see the Space Patrol toy, brightly coloured with stars and flashes and a ‘robot’ driver. I immediately planned to sketch this fabulous machine, and finally found the time to spend on it yesterday.

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The State of Performing Arts

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Last week I had the pleasure of seeing my daughter Lara Macgregor perform in a play which was especially written for her and co-actor Mark Hadlow, by Gregory Cooper, writer and director. The play debuted at the Professional Theatre Company, which Mark Hadlow recently formed in Nelson – a brave and brilliant move given the current unstable nature of the performing arts industry in New Zealand. I was pleased that Mark brought the play to the Sky City Theatre Auckland soon after its debut giving many more New Zealanders the opportunity to see it.

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What a couple of weeks it’s been!

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There is nothing so annoying as the computer when suddenly things go wrong. This was the case when I was compiling my post two weeks back. It wasn’t saving my writing, or images, and despite the best intentions, and help, the problem continued. I did manage to get a limited post out, that you may have seen, by closing and opening WordPress, writing one sentence and pressing save. Sound OK? You might want to think about doing that again and again, and still find the whole post, plus images still wasn’t saved. To top this IT mess off, I accidentally dropped my phone in the bath! I said @#$#@%** and a lot of other four-letter words. 

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One Still Life and another

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The week started well. Get hold of a good book and there’s no stopping me; waking early and reading for hours until the clock reminds me it’s way past getting up time. I’m talking about Sarah Winman’s novel Still Life. A warning; there is nothing still about this narrative. It contains great characters, settings, and themes like unrequited love that keep you turning the pages to find out, do they? Or don’t they? until the end; or if you are a lover of art, then this is for you, as there is plenty in here to keep you enthralled. Especially in Florence, where a good deal of the action takes part. To quote from Patrick Gale who writes on the cover: ‘Harnesses big-hearted storytelling to a dizzying historical sweep to celebrate love in all available colours.’  

 So, with Still Life of one sort on my mind, the other Still Life beckoned to me, or rather, I spotted the large bowl of fruit on my table and knew what I must do and that was to sketch a still life to accompany the little rant above.  Less is more sometimes, and thinking this I selected two pears and a small apple to comprise my Still Life. 

I have used Faber Castell artist-quality coloured pencils, a combination of Apple Green, Cadmium, Yellow Ochre, Brown Ochre, Van Dyke Brown and Dark Sepia. I love nothing better than starting with a fresh sheet of drawing paper and seeing how my marks become solid forms through the rendering of colour and tone. I was pleased that this sketch took just an hour to finish, and not three days like the book. However, I love both versions of Still Life! 

Still Life was first published in Great Britain in 2021 by 4th Estate

One I shouldn’t post perhaps

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This past week or so I’ve been attempting to build the word count on my novel, and I have done reasonably well – a small pat on the back for that. However, I decided I’d take a short break and do another sketch. When I took the photograph a while back, I thought ‘that’s nice’, and with that mediocre response I chose to work up a sketch from the photo. Probably not a good premise to begin with. Or, was it the new phone, with the new camera which is brighter in colour than my last one?

Anyway, I kept going with this sketch, and kept adding this and that, then trying to remove this and that. I guess I should have given up at this stage.

The this and that were the various mediums I tried. I am not a watercolourist but sometimes I can play around and have something turn out okay, but this wasn’t one of those times. I used Aquarelle pencils too, and remembered how bright they were once I put water through the pigment. I used water-soluble ink pen, too and the ink spread too far! So I kept adding and taking away until I came up with the next version of messing stuff up.

I added more pencil across the sky and hill, not adding anything in my opinion except to make the sketch muckier. But I decided to show the sketch regardless, as it just goes to prove work doesn’t always turn out as well as it might.

I am not going to beat myself up about this one, but really, I have been making the same ‘mistakes’ so long, you’d expect that I’d learn when to stop, wouldn’t you? I could have just got out a new piece of paper and done something different. Left the watercolour bit for another time.

Better luck with your work. All the best, Vivienne.

An interesting fact about Turner

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Yacht approaches the coast: JMW Turner c 1842

Last week I visited the Auckland Art Gallery Toi o Tamaki to see the Light from Tate: 1700s to Now exhibition. This was an interesting collection, as it featured many facets of how light was and is represented in art. The work stretched in time from the 18th Century to the present day. The first paintings were from Joseph Mallard William Turner, and anyone who has been fortunate to visit the Tate Gallery in London, will have viewed many of his famous landscapes with vast skies filled with light and texture. And for all that I enjoyed the whole show, I wish to write about a few paintings which appeal to the type of work I like to do.

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I am in love with clouds

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Looking towards the CBD from Devonport waterfront

I often take photos that appeal to the artist in me when out walking. Clouds are a particular favourite of mine to draw or paint and I have sketched them many times using various mediums. A couple of weeks ago the clouds were dark, low-hanging, and extremely threatening, but to look at, they were spectacular. I decided to wave aside any qualms about attempting to sketch clouds which were almost black, and yesterday grabbed a watercolour pad and got stuck in. I sketched the outline of the whole scene quickly, using a dark water-soluble graphite pencil. With a size six watercolour brush I wiped water through some of the pigment edging the clouds and left the work to dry.

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A writer’s treat

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Monty Soutar and the first book in the trilogy Kāwai (line of descent, lineage or pedigree).

Last week saw the Auckland Writers Festival very much alive in our city. I did not attend many events as the week was already flooded with other activities. I wish to write about one event though, of a discussion between Tracey Morrison (Te Arawa, Ngāi Tahu), a well-known New Zealand broadcaster, and Monty Soutar ONZM (Ngāti Porou, Ngāti Awa, Ngā Tai ki Tāmaki, Ngāti Kahungunu). They talked about his latest book Kāwai, a shortlisted novel for the recent Ockham New Zealand Book Awards. Monty has received commendations and awards for his scholastic achievements and work to raise the understanding of the history of Māori in many fields, and Kāwai is his first venture into writing fiction. If you are thinking that the discussion about his book might prove a little dry, or boring, you’d be wrong.

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