The map I began two weeks back has made some progress forward, and although not quite finished, it is fairly much there. I decided to make a legend/key to off-set the Devonport map I’d begun, shown in an earlier blog. See below, the pen and aquarelle pencil icons which I have numbered but still have to name.
It is always interesting how one idea can trigger off others, and writing about travel diaries got me to thinking about the major unfinished travelogue of mine, which is idling on my computer. I have salved my conscience a little, by uplifting some passages from the longer story and posting them in various blogs. This post is adding to that list, and shall focus on a single day in Villefranche-sur-mer and a fleeting look at some of its art.
I am to be visiting Spain in April, for a second time. Last time I went with an old friend to attend a month’s teaching course in Barcelona. I loved Barcelona and had always contemplated a return. When I learned late last year of a 2019 Sketch Spain trip, I didn’t need any persuasion to add my name to the list. My husband is coming with me this time, with his camera, while I shall join a small group of sketchers. To build some impetus, and ideas for how I’d approach my travel diary, I joined Tony McNeight’s class for a map-drawing exercise as he thought this a good way to familiarise oneself with a new place. We were to emulate a schematic drawing of Devonport, using any style we wished, though keeping to the preferred mediums of watercolour and ink (see at end of blog). Continue reading →
This week was bookended by attending two different art groups. Monday, I joined the travel-sketching crowd at an end-of-year sketching day on nearby Waiheke Island, just a 30-minute ferry ride from my home. On arrival at Matiatia wharf we were to find a spot to sit and sketch until the bus arrived. It would take us to Casita Miro, a fabulous Spanish winery and cafe. Continue reading →
This post began as I was searching for information on artists who used extra long brushes for painting, after a fellow artist-blogger had mentioned Matisse using this method. I knew that several of the old masters painted in this fashion but I drew a blank with finding out whom. The British artist Constable seemed to ring a bell, so I added his name to the search. But I could find nothing about his use of the long paintbrush either. However, I scrolled through many images of his paintings and quite by chance I found something altogether amazing (see above). Continue reading →
I was pleased to be asked to join another of Tony McNeight‘s sketching classes on the weekend; the topic – cross-hatching, and the medium, ink. It was some time since I’d used the technique but I was keen to give it another go. True, my tools were ancient, but in good form, since I’d recently cleaned my pens out and replaced the ink cartridges. Continue reading →
Many years back, I wrote my first children’s story, Toby and the Tuatara, and illustrated several images to accompany it as an example to show potential publishers. My artwork gained mention but my early writing attempt didn’t. However, the drawing of a native tuatara instilled in me the desire to see one in the flesh. Last weekend that dream almost came true. Continue reading →
This is the blog that almost wasn’t as my procrastination had reached levels unsurpassed. However, through a chance meeting with an artist touching up a sign at the community garden and an ensuing conversation, we discovered that we had much in common, from our beginnings in advertising to illustrating and tutoring. Continue reading →
I begin with the destination, for there are approximately 650km between Auckland, where I live, and Wellington, the city I drove to last week with my daughter Lara. This was a long-planned road trip to see the phenomenon of the World of Wearable Art show, which so many have seen in its thirty-year history, but has managed to elude my daughter and me. This may have remained the status quo if I hadn’t seen a figurative print in a local gallery earlier in the year that I instantly desired, and wished to hang on my newly-painted studio wall.
I love walking, and while walking around my neighbourhood I got to thinking about why I enjoy it so much. Fitness certainly plays a part, for I am like a caged animal if I can’t get outdoors. But there is more to my walks than mere exercise, and one salient aspect is what I see. More ideas for drawing. Devonport is a lush green suburb at the tail-end of a peninsula. Homes are built on and around several volcanic cones, and nowhere is far from the sea. The views are simply stunning. My walking routes either begin or finish on King Edward Parade which looks across the harbour to Auckland City and to the other townships lining the promontory opposite. Continue reading →