Category Archives: sketching

Nostalgia at Christmas: Sketches from Spain

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Last week I was reminded of my sketch trip to Spain in 2019, and I went looking for the sketchbook I’d used at the time. Previous to leaving, I’d joined a travel sketching group, and in preparation we were asked to choose something to sketch from a favourite place we’d visited. So I chose a photo taken twenty years earlier from the cathedral Sagara Família in Barcelona.

I was high in a tower which overlooked the city and focussed on the sculptured doves in front of me. I used water-soluble ink for the foreground. It’s wise not to load the brush with too much water when you pick up the ink pigment. I used a diluted watercolour for the background.

Some Images from the sketching trip to follow

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Well, there is a little progress

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Original rough, left side of double page spread

Last time I talked about my memoir with pictures, I showed a few pencil sketches of some pages I had nutted out. I have now sketched more pages, attempting to make a storyboard of the tales I wished to tell, or portray. This bit was easy. I love sketching in pencil and plotting scenarios based on my experiences when young, that was no trouble what so ever.

I studied other graphic novels to get a feel with how I wanted mine to look: a mixture of double pages in colour or black and white, and several pages with smaller images, as you might see in a comic, with speech bubbles etc., But then, I decided I should do at least one trial page in full colour as I imagined the larger pages should look. But, what medium to use?

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A focus on line to achieve form

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As I mentioned in my last post, Thursday would be the last of four Life drawing sessions held locally. Again we started with numerous quick sketches and we were encouraged to keep to pencil throughout. But I couldn’t resist using willow charcoal for a few the poses, as I particularly like the medium. I did use pencil, but it didn’t respond so well to the reasonably thick cartridge paper I had brought with me. The above poses were only a couple of minutes long, and are mere flashes of line on paper.

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Looking at light on form

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Willow charcoal & charcoal pencil, 1996

I went to my first Life Drawing classes aged fourteen with my dad. My brother and sister also attended at various times too. Dad was passionate about art and thought one of his children might catch the bug. However, I was the only one who ended up at art school, where I continued to sketch the figure. It was something I loved doing then, and have continued doing from time to time, ever since.

The above sketch was part of an exhibition of my figure studies completed that year. I hired a model, and worked in a studio above my garage to produce the work. It was great to have a comfy sofa the model could relax in, which resulted in many nice long poses. All the work sold, which was good, but when I realised I wished to keep one (the above image) for myself, on enquiry I found my agent had sold it that very day. Lucky I had taken a photo.

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A promise kept

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Cologne Cathedral

In last week’s post, I promised that you would see another sketch. Well, I did keep my word, and here it is, taken from a photo I took of the Cologne Cathedral on my recent travels. If you have followed my site, you will know I love sketching clouds, and that is why this sky over the Cathedral appealed to me. Nothing I like better than a great mass of brooding cumulus to get me going with the pencils.

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A couple of quick sketches, and sunny days in Lyon.

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I found little time while travelling up the Rhine to actually sit and sketch, though I did manage a few times. I have shown you the windmill sketch already, just outside Amsterdam. But here I show one sketched from my cabin as we moved closer to Basel and the finish of our cruise.

Beside the Rhine.

For this sketch I used fine pen, 6B pencil, and aquarelle pencil. I sketched swiftly across the two pages, getting this down in a matter of minutes, as dinner was ready to be served. I like using a darker pencil on a smooth paper (as this was), as I love rubbing the lead with a fingertip hinting at shadow or contour. I popped in blue and green to remind me of where I could lay a watercolour wash through at a later date. I never did the wash, but quite liked the immediacy of the sketch.

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Cruising along and visiting windmills

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Amsterdam to Basel

After joining the ship, we spent the first afternoon settling in to our cabins (named staterooms on board), and prepared to meet staff and other passengers whose company we’d be among as we made our way from Amsterdam towards Basel, the culmination of our river cruise. As we imagined, the food and wine was of a high standard and helped us enjoy the eight days on board very well. Added to this was a crew member, who doubled as a great pianist and singer, whom we listened to throughout the evenings pre and post dinner. There was a rundown by the Programme Director on the following days’ events each day, with guided walks included in overall cost of cruise, and other excursions which cost more. But, if you have trouble sleeping, I suggest you do such a cruise as I, an erratic sleeper, cannot recall such a sound sleep as we moved through the night, and docked without my hearing a thing.

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When feeling a little off, why not sketch fruit which reflect those feelings.

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I am soon off to Europe for a trip and should be full of vim and vigour. At least producing more sketches for my next project, but I’ve done little except moan about toothache, or a pain that could be sinus, or it might be…? Maybe tomorrow the periodontist will come up with a name, but meanwhile a winter sketch has lifted my spirits – a little.

Starting point

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Back to the memoir in pictures

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You may have thought I’d never get going on this idea of a memoir of me as a youngster. True, I didn’t get far, but there were other things I had to do. But now I have looked through my initial rough sketches, and have decided to show them to you, I feel it is a small start. My plan, from here on in, is to complete a couple of images in colour on good paper, using watercolour and pencil, as a trial for the finished product. Today however, it’s just more pencil roughs. Except for the photo of me, left, taken on a Brownie camera in the 1950’s. Yes, I’m that old.

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A bit of this and that, or a memoir in pictures

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Possible wrap around cover featuring ME!

This week I started in on some pencil roughs intended for the future graphic novel. Everything is guesswork on my part, completely experiential, as it’s the first time I’ve embarked upon this genre. Over the months I have picked up and examined many graphic novels, by women, mostly. This has been such an interesting exercise, as they are so different from each other and all brilliant.

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