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About viviennelingard

I am an artist and writer. I have been an an art teacher and as an illustrator of children's books. I love writing, whether fiction or non-fiction, and have written many short stories. I am also a keen reader and write book reviews, among other art related articles on my blog site – viviennelingard.net

What a difference a year makes

The castle and me

This time last year I was in Edinburgh, many months before Corona virus had hit the world stage. It was my first visit, and I had been strangely unaware I would be among thousands of others who had ambushed the city for the Fringe Festival. I was thankful that our friends Mick and Anne only lived a thirty minute walk from the centre, in a lovely, quiet, suburban neighbourhood. We strolled into town past handsome stone buildings on either side; a cobbled street in between – so different from the wooden architecture and asphalt roads I am used to in my New Zealand surroundings.

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Changing our perceptions

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catalogue cover

For the past three Tuesdays, while at my volunteer job in the local community art gallery Depot Artspace,  I have found myself in an interesting situation. The current exhibition   is titled Sex Workers of Aotearoa: A DAY IN THE LIFE OF, 2020, curated by a member of the group. And although the curator and many of the artists have shown their names, for privacy reasons I have chosen not to include them. Our manager had said that we may need to be aware of some peoples’ reactions, and if we felt uncomfortable with speaking about the artworks, to seek assistance from management. Continue reading

Much has been said already, but…

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Masked in Melbourne

Many here have become blasé about the reports of Covid-19 escalations reported in countries overseas. New Zealanders have been extremely lucky in this regard, having a government which acted quickly with a shut-down. There were always the nay-sayers, and there are still some, who criticise the border regulations made for New Zealand residents who continue to arrive back home. These regulations have tightened recently, especially concerning the two-week isolation period each returnee has to face, with Covid testing undertaken on the third and eleventh day. But it is not the rules I wish to talk about here, but the way some people try to evade them. Continue reading

What’s in a name?

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Clockwise from top: Jack, Kathleen, Colin, Beverley, James, Sophia

A relative of mine thought it strange that I would write my father’s story as fiction. It makes sense to me, I told her, as he was with us for just a few years, and I was looking back on our time together from many years later. What would the truth be, if I wrote the work as non-fiction? I had to call on my memory as a child to put together the essence of my father’s  life, and to also borrow my siblings’ memories to complement my own. It is known that memory is both fallible and selective and fiction is always based on some version of fact. Continue reading

Waiting for different things

I received my final book proof last week, and set about planning the sketch that I promised I would do of the cover once the print process was complete. Well, since I showed an image of the front cover in my last post, I decided I would sketch the back cover instead. I was already late with my usual Thursday post, but thought; never mind I’ll do it tomorrow, thinking the task of sketching six family members (as on back cover) a relative doddle. Last night I drafted the sketch in pencil, planning on doing the ink and watercolour the following day. Continue reading

The wait is almost over

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The past few weeks have resembled those in lockdown, when I waited to receive the first proofs of my book. I was thrilled when they arrived and to see the great job done on the cover  (I had four choices). One was particularly perfect for my story The (almost) true story of a man called Jack. But the hard work was far from over, as I now had the task of scrutinising the printed pages for any errors in the text, or any changes I wished to make to the proof. Before sending the manuscript to the print company I had gone over and over that MS, as well as having someone proof it a little earlier on in the process. Continue reading

To the Naki: 2

Len Lye 1

Me in front of the Len Lye Centre

On our last afternoon in New Plymouth, we re-visited the Len Lye Centre, which sits within the Govett-Brewster Gallery building on Queen Street, to see the extra exhibits which weren’t on display the day we first went. We had hoped to also look inside the  Govett-Brewster gallery, but it remained closed, preparing for re-opening once the Covid levels had lifted. The Len Lye Centre is as famous for its architecture as it is for the artist it is named after; innovative and fascinating in so many ways. Continue reading

A trip to the Naki: 1

oznorWith our lockdown almost over, Kerry and I got busy organising the trip to New Plymouth we had planned months before we’d heard the word Covid. Now were were in level 2, the government was urging Kiwis to travel within their own country; to help kick-start our local tourism industry, which had suffered with the border restrictions to overseas visitors. New Plymouth is within the Taranaki province (the Naki to Kiwis) and has many attractions. The most famous being its superb mountain; a mountain I’d only spotted from a distant road, or when I’d flown over the cone capturing a terrific birds eye view in a photo. Meaning always to go and walk around the foothills – sometime. That time had arrived! Continue reading

Mixing it up

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continuous line

With Covid19 locking us in our homes for weeks it was good to finally get together with our art buddies again. We started the class last Saturday with several very quick pen sketches using a model.  The aim being to keep the pen moving constantly on the page. This method is called continuous line, or contour. Although contour usually refers to the outline, continuous line allows you to move around and across the form. With both methods it is usual to look at the model and then the page. Blind contour, is when you look only at the model while you sketch. A challenge, as it’s so compelling to look down at your sketch. Continue reading

A variation on the theme

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Depot Artspace

Last week’s post, New Beginnings, was about my new writing project, although it was not the only new thing I embarked upon post-Covid lockdown. I am proud to say that I began a new job, as a volunteer worker at The Depot Artspace, a community art gallery in Devonport just down the road from me. It’s a great creative hub, where artists are encouraged to produce new and innovative pieces, whether it be photography, painting, sculpture or sound. They offer a professional development programme, publications, a recording studio, and a design studio. That’s quite something for a community enterprise. Continue reading