Tag Archives: observations

Nostalgia at Christmas: Sketches from Spain

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Last week I was reminded of my sketch trip to Spain in 2019, and I went looking for the sketchbook I’d used at the time. Previous to leaving, I’d joined a travel sketching group, and in preparation we were asked to choose something to sketch from a favourite place we’d visited. So I chose a photo taken twenty years earlier from the cathedral Sagara Família in Barcelona.

I was high in a tower which overlooked the city and focussed on the sculptured doves in front of me. I used water-soluble ink for the foreground. It’s wise not to load the brush with too much water when you pick up the ink pigment. I used a diluted watercolour for the background.

Some Images from the sketching trip to follow

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The beauty around us

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I don’t know the name of these

These past months have seen me with numerous dental and periodontist visits and quite frankly I’ve not felt great – hence the lack of scintillating posts. However, Kerry and I recently visited a nearby community garden at Forrest Hill (Grow Forrest Hill), to see how differently other gardens are run, compared with our Devonport community garden (Ngataringa Organic Garden). While he chatted to members, I took photos of some beautiful flowering plants. I love nature and colour, and focussing on beautiful colourful subjects is a good way to avoid ruminating on one’s troubles I’ve found. I do hope you enjoy the images I’ve selected.

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A focus on line to achieve form

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As I mentioned in my last post, Thursday would be the last of four Life drawing sessions held locally. Again we started with numerous quick sketches and we were encouraged to keep to pencil throughout. But I couldn’t resist using willow charcoal for a few the poses, as I particularly like the medium. I did use pencil, but it didn’t respond so well to the reasonably thick cartridge paper I had brought with me. The above poses were only a couple of minutes long, and are mere flashes of line on paper.

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Looking at light on form

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Willow charcoal & charcoal pencil, 1996

I went to my first Life Drawing classes aged fourteen with my dad. My brother and sister also attended at various times too. Dad was passionate about art and thought one of his children might catch the bug. However, I was the only one who ended up at art school, where I continued to sketch the figure. It was something I loved doing then, and have continued doing from time to time, ever since.

The above sketch was part of an exhibition of my figure studies completed that year. I hired a model, and worked in a studio above my garage to produce the work. It was great to have a comfy sofa the model could relax in, which resulted in many nice long poses. All the work sold, which was good, but when I realised I wished to keep one (the above image) for myself, on enquiry I found my agent had sold it that very day. Lucky I had taken a photo.

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A promise kept

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Cologne Cathedral

In last week’s post, I promised that you would see another sketch. Well, I did keep my word, and here it is, taken from a photo I took of the Cologne Cathedral on my recent travels. If you have followed my site, you will know I love sketching clouds, and that is why this sky over the Cathedral appealed to me. Nothing I like better than a great mass of brooding cumulus to get me going with the pencils.

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It all started in Amsterdam

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Amsterdam was where we would join the Viking Sigrun (they call it a ship, not a boat) and the other approximately 179 others who had chosen this trip up the Rhine for a week’s voyage. Kerry and I chose to arrive early in Amsterdam, giving us time to meet friends, and to rid ourselves of jet lag, after our lengthy flights from New Zealand. Over 36 hours should you wonder.

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Things that fall

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Final image

I’ve spoken often about how I love to go walking in my neighbourhood, and I didn’t let the previous night’s storm put me off. It was still blowing furiously yesterday when I took off, cap on under my red jacket hood. Sunglasses too, to keep the wind and salt air out. The debris on the footpath had me stop at the end of the block, and there I stooped to uplift a fine collection of fallen goods. I picked up a large leaf, (from a magnolia I guessed), two small pōhutukawa leaves sporting radiant autumn colours, a seed of some sort and a small feijoa. Feijoas are loved and disliked in equal number here. I love them. To eat, one should slice them in half and scoop out the middle with a teaspoon, But this fallen delicacy was way too small to eat.

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No final painting but there is this

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La Femme au Bain by René-Xavier Prinet, around 1888

The final class was cut short, as we were to be given a talk about the painting by Charles Goldie, which is where the classes began. To recap, we were handed a copy of the painting and were asked to copy it. But what I never realised until this talk was, that Goldie had copied his La Femme au Bain, from an original, for on the bottom of the painting it reads ‘after’ René-Xavier Prinet. Both artists studied at the Académie Julian in Paris around the same time. So, I had made a copy of a copy. I didn’t know what to think. I guess seeing both men could certainly paint, I must have learned something through close observation.

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From sketch to canvas process

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Continuing on from last week, when I showed you the charcoal sketch (see above) which I would be transposing onto an A2canvas. As I am going to take you through that process I thought it would help to include it here as this is the pose I shall continue to work from.

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Back to the drawing board

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An expression meaning many things, but here I use it literally. The past month is almost a blur, with a second trip to Australia to see the youngest daughter, who lives some way out from Brisbane. I had in tow her sister and brother, he from Melbourne, she from Dunedin and me, Mum from Auckland. That explains my busyness, and lack of posts. It doesn’t explain my latest blip which was putting my back out, and although I have been doing regular exercise, I also need to sit down more. Perfect for getting a sketch done!

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