More discoveries from the art trove

smartcapture

A few years ago, my husband and I lived for a year in Hong Kong, in an apartment on the Chinese University campus in Shatin.  I looked for something to do with my time while my husband was teaching and began tutoring children after school in drawing skills. One fourteen-year-old girl was passionate about art, and she was a delight to have around. Flora was already very skilled in traditional watercolour, but wished to extend her drawing knowledge. The reason? She was also passionate about cats and brought a different cat book from the library when we met on a Friday. Every day she drew a cat at the top of her diary page, and Friday was no exception. Flora’s aim: to draw every cat species she could.  Continue reading

Coming across some old friends

charcoal 2I  have accumulated many sketches over the years; some in notebooks, on scraps of paper, in art pads and folders. Some work is good, some bad and the rest indifferent. And that isn’t all of it, when moving, I made the bold choice to give work away, or throw it out. Recently I decided to go through a folder or two, to see if I found anything interesting.  These drawings had stories attached to them; some had sold and I only had photos of the originals, but many were tucked away, waiting for me to show them the light of day. It was nice, dipping into my past and meeting old friends.

For some years I concentrated on doing life studies, using my own models, working in a studio above my garage. I used Anita, who was great to work with,   on many occasions, mostly drawing the whole form each time.  I used  charcoal pencil and willow stick on Grumbacher paper in the image above.

Continue reading

A bolt of love from the blue

I have been writing a story for sometime now about my father, John Frederick Lingard Fowlds, who died when I was a teen. He never got to know how I, or my brothers and sister turned out as adults, or ever got to meet any of our children, and grandchildren. I began writing his story, fictionalised to some degree, to give the wider family some idea of what kind of person he was. Writing about him has been relatively easy, as he was a funny, warm and loveable man. Very artistic too. The hard part is the loss I still feel for him after so long, and maybe the reason I am taking so long to write his story, is that I don’t wish to lose him again. Continue reading

With a little help from my friends

Sketch Spain group

Sketch Spain group

This post is about others –  the other sketchers whom I was lucky to spend time with on my recent trip to Spain. Why was I lucky? Because I learned rather a lot from them. The group may be surprised by this statement, as many are new-comers to sketching and are rather modest about their outcomes. But they have an approach to their sketching, that I, as a long-standing ‘sketcher’ lack. Continue reading

Third stop: Seville and Flamenco

rbt

From my sketchbook

The contrasting landscape heading to Seville was amazing: cypress trees dark against earthen buildings, scruffy pine-nut trees, tiny old huts, and fields; where grapes replaced orange trees, then olives, as the train sped past. Undulating hills, the soil darkening to a burnt sienna and white houses with orange tiled roofs. A change back to orange groves as we neared Seville, sun-touched and golden. What a warm welcome. Continue reading

Second stop Valencia

img_20190523_141636.jpg

It was a peaceful 3hr train ride from Barcelona to Valencia, which gave me time to sketch the orange tree (above), abundant with Valencia oranges – naturally. I looked about the carriage, and saw most of the group head-down sketching, or colouring their work, assiduously. It has become clear that Tony’s enthusiasm for sketching has caught on. Continue reading

First stop Barcelona

Barcelona map

It’s taken a few days to clear the brain-fog which often happens after long-haul flights. Factor in a one and a half hour’s flight, a seven hour stopover, a seven hour flight, a two hour stopover, a final sixteen-hour flight, and you’ll have some idea of why I couldn’t get my post out sooner. However, here I am, back in New Zealand and inviting you to share a little of my experiences of sketching in three Spanish cities, beginning with Barcelona, a city made famous by Antoni Gaudí (1852–1926) for his unique take on Catalan Modernism architecture.  Continue reading

Reading someone new to me

lucia-berlin-bk.jpg

My husband bought this book for me, having read a review online praising the writer. I have read many collections of short stories in my time, including the likes of  Katherine Mansfield, Doris Lessing, John Steinbeck, Janet Frame, Raymond Carver, and Alice Munro. Until I unwrapped the book and read the cover, this was the first time I’d met this author. Continue reading

Keeping the practice up for Sketch Spain

Image 5-03-19 at 3.47 PM

Barcelona doves

Come next Monday, I shall be making my way to Barcelona, and embarking on a daily sketching sojourn in several cities. This prospect has made me slightly nervous, as well as excited, as I endeavour to keep my sketching practice up. My aim is to be as fluid as I can with my line, and use of colour. Last week, I attended two  workshops; both with live models, but each very different from the other. I knew that we were going to be covering animals in the first class, but expected that we would be working from photographs. I was rather taken aback when a rather large, although handsome tan and white boxer dog (Walter), was led into the room.  Continue reading

An approach to portraits

rpt

After doing a recent quick ‘selfie’ portrait, I sifted through some old art folios, in which I found a few very different images of myself.  Two were pencil drawings, and the other a quick sketch in acrylic on paper. Over the years I’ve executed many portraits, in pastel, pencil and paint; some done as teaching tools, some commissions, and others as part of children’s book illustration. rbt

 

 

With all portraits, and all figures come to that, I have generally used the same techniques to plot the sketch. But the most important technique of all does not involve pencil or paint. To become accurate with any portrait, you must look. Seems obvious? I am talking about really seeing here: the shape of the head, the face; whether it is thin, long, wide, plump. Is the skin tone fair, or dark? All these features need to be observed before a pencil makes a mark. And, then comes the hair. Is it dark, light, thick, wavy, straight? Is it wispy, framing the face? When you are becoming to know the person, it comes the time to select your tools (pencils in this case). It does help if you already know your model too. Continue reading

Recapturing the passion for art

fshbtyMonday I was back to the travel sketching class, where the focus was on people. People, faces, bodies, used to be my thing, but not consistently practising these skills has shown a gap in what I know I can achieve and what comes out on the paper. I cannot blame the pen. I have chased another passion (creative writing), too much, and let my art skills languish. By coming to classes, I hoped to renew the passion I’d once held for art.

The first sketch, was fine: a self portrait sketched from a phone ‘selfie’. I’d certainly not done that before, although I had done a few self portraits using the old-style reflection in a mirror. Luckily I happened to have a recent phone selfie, showing off my new glasses, as I could imagine the ten photos I’d have to take in class to get one I remotely liked. Continue reading

Facing the unthinkable in New Zealand

aucklnd-wishes.jpg

This week’s post is far from my usual offerings, as last Friday in New Zealand we were subjected to our worst fears: a right-wing racially-bigoted man shot at and killed fifty of us; among them men, women and children. This twenty-eight year old man went into two mosques in quick succession and opened fire with semi-automatic weapons and mowed worshippers down.

New Zealand is a small country, in size and population and up until last Friday, we had been considered a peaceful, fair-minded and friendly society. We do not have a culture of toting guns (including the general police force), and most of us would never have seen a gun, let alone held one in our hands. Guns, we thought, were the domain of farmers, hunters, special police force, the military, and countries other than ourselves.

We are not however, so naive that we close our eyes to the gun culture within our gangs, or have we been immune from the trauma of other gun-associated deaths; but these happenings, although horrific, are not generally committed by someone with a skewed ideology and an inherent hatred for those different from themselves. The man who walked into the mosques last week, had come to New Zealand intent on carrying out this heinous crime.

As a child, my parents hosted a Hungarian family who were escaping troubled times in their home country.  They arrived in New Zealand with little more than the clothes they wore. This family was welcomed in by the small community in which we lived. The local Anglican congregation rallied around to find toys and clothes for the children, help the father find work, and a home. This is what I remember.

We had long welcomed other cultures into New Zealand and I was proud that my father had friends from India, Italy, France and Hong Kong. My mother taught new Dutch immigrants in her classes. This is what I remember.

To say our country is in grief, sums up the collective pall which hangs over us.  Many of us have tears in our eyes.

Despite this, our country has rallied together, schools have held concerts, performed haka, sung their hearts out for the families who have lost so much. Others have written messages, left flowers, attended memorials, donated money. It seems we still have a lot more to give. This is what I’ll remember.

Kia kaha

cof

Sketch Spain preparation

The map I began two weeks back has made some progress forward, and although not quite finished, it is fairly much there. I decided to make a legend/key to off-set the Devonport map I’d begun, shown in an earlier blog. See below, the pen and aquarelle pencil icons which I have numbered but still have to name.

map pics

Continue reading

One arty day in Villefranche

IMG_2363

Villefranche-sur-mer, on the Côte  d’Azur

It is always interesting how one idea can trigger off others, and writing about travel diaries got me to thinking about the major unfinished travelogue of mine, which is idling on my computer. I have salved my conscience a little, by uplifting some passages from the longer story and posting them in various blogs. This post is adding to that list, and shall focus on a single day in Villefranche-sur-mer and a fleeting look at some of its art.

Continue reading

Travel diaries past and future

diane-and-me-parc-guell.jpeg

Diane and I @ Parc Guell

I am to be visiting Spain in April, for a second time. Last time I went with an old  friend to attend a month’s teaching course in Barcelona. I loved Barcelona and had always contemplated a return. When I learned late last year of a 2019 Sketch Spain trip, I didn’t need any persuasion to add my name to the list. My husband is coming with me this time, with his camera, while I shall join a small group of sketchers. To build some impetus, and ideas for how I’d approach my travel diary, I joined Tony McNeight’s class for a map-drawing exercise as he thought this a good way to familiarise oneself with a new place. We were to emulate a schematic drawing of Devonport, using any style we wished, though keeping to the preferred mediums of watercolour and ink (see at end of blog). Continue reading