Oh, what could I do to lift my spirits? Why, another sketch of clouds of course!

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Sunrise view from Melbourne Suites 10th floor

This year has been one of friends’ dealing with difficult health issues, and deaths, and I was very much affected when learning of each. Just two weeks ago, we were set to holiday on Vancouver Island, and were looking forward to this, when we learned a brother of Kerry’s had died following a long illness. That same day we learnt the health prognosis for a very old friend in Melbourne was far from great. Instant panic, as we cancelled hotel bookings and postponed the Canada flights, while Kerry booked to attend the funeral down south, and we booked another flight for Melbourne a few days later. We had made the right, and best decisions we believe. With other family living in Melbourne we shuttled between various houses, and the 10th floor suite in the CBD where we were based.

Read more: Oh, what could I do to lift my spirits? Why, another sketch of clouds of course!

But our main purpose in Melbourne was to see our unwell friend. He has been very busy putting together a volume of his poetry over the past weeks, which had been published and arrived in time for our visit. So good to know that he had this positive project to focus on throughout his treatment, for it has kept his spirits up, that’s for sure, and we are now very pleased to have his book. We enjoyed our time with our friend very much and were so pleased to have moved our holiday plans to later in the year.

A day after our return I learned my brother had fallen and broken his femur, and was due to be operated on in a few days’ time. The operation was done, his hip pinned and he was transferred to the hospital near his home to recuperate. The following day I heard he was in ICU on oxygen and given strong antibiotics for the pneumonia he had contracted. Now, this is when I had to dig deep, to find something that might help me relax and lift my spirits. So, first I did what I know always helps me, and that is to walk. Look to the sky, the trees, the birds, say ‘hi’ to strangers that kind of thing. But once home I didn’t feel like doing anything, but did plan a project for the next day, a sketch.

Another view to the Auckland CBD and Devonport naval base.

I heard my brother was improving today and that was the incentive I needed to finish my sketch. The mediums used: water-soluble colour pencils, ink, watercolour, and graphite. PS, the small brown ferry building (centre) was once one of the tallest buildings the waterfront!

I hope you like the sketch Bob (brother) and Barry (friend).

The influence of the Impressionists

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Frederick C Frieseke: Through the Vines, 1908

I opened a recent post on Sunnyside showing a painting by American artist Frederick C Frieseke called Through the Vines and it immediately reminded me of the work of New Zealander Evelyn Page (1899 – 1988). Like Frieske she was most adept at showing the human form through dappled light.

There was a retrospective of her paintings shortly after her death and I enjoyed viewing the collection.

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One persimmon

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This week I’ve been unsettled as I wait to receive my manuscript back from the editor, so I can go over my work for the last time. I have all the extra bits of writing required for sending off to publishers, even the dratted synopsis, waiting in the wings. The synopsis was scrutinised by my husband, daughter, and members of my writing group, and finally I was happy with it.

While pacing my study, I looked at the two beautiful persimmon I was given the other day languishing on my desk and knew what would help me relax. I would draw the fruit!

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Clouds and more clouds

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I sat down to begin a pencil sketch this morning, but was diverted by some cloud drawings I found in the sketch pad, so … I decided to put these together for this week’s post. Just a brief description of the mediums used, and not so much of a story this time. The top six sketches are from the Devonport area near my home, the seventh sketched on Waiheke Island, and the eighth done in Port Douglas Australia.

I usually sketch out the scene quickly, returning to fill out detail. I so love sketching clouds.

Looking towards CBD watercolour, aquarelle & pen

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A lot can occur in a week.

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It certainly can. Last Friday I joined my daughter Lara on a road trip from Auckland through to Wellington. It was so good to be away from the city and the cars that crowd our highways as we drove the back routes with few people on the roads. We skirted Hamilton, past Waitomo and onto Tauramunui, the weather truly perfect for this special ride. We stopped often to take photos of the countryside.

A view of Mt Ruapehu (my photo)

Lara had hinted at a stop-over a day or two earlier, but kept it a surprise. She kept me guessing the destination all the way, hinting at Raglan at one point, where I’d thought, ‘nice, haven’t been there for a while,’ and then past Otorohanga, where we’d both seen Kiwi some years ago. But no. We pulled over for lunch, and filled up the car, and turned back to join the Forgotten Highway, a place now popular with sporty types who like to go biking in forest terrain. There’s a railroad alongside the road which runs trips for tourists using rail carts. The long road stretches between Tauramunui and New Plymouth and takes in hilltop views and ocean vistas amongst its many splendours.

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And wait, there’s more about the first draft!

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A recent photo of Oriental Bay, Wellington [photo V. Lingard]

Yes, the first draft is done, and now sits with the reader, though I would like to add a little more about what went into reaching that goal. Writers will know that it isn’t just a matter of coming up with a great idea and sitting at the computer and let the words fill the pages, easy peasy. There is the matter of plotting, and making a loose timeline. For me the setting was 1970s Wellington and the years my protagonist lived there. I sketch this out by hand rather than type it up, and mark where I think specific scenes, or events may occur. What was happening during those years? Research next, to top up my memory of these times. So much goes into this, for example: what movies were shown, what music was played, who was prime minister, what sports were popular, what programmes ran on the radio? You get the idea.

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The Road Trip

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A taste of Melbourne traffic

The first day, did not start well, when we realised the rental firm where our vehicle was located was a long way from where we were staying. Family were busy, so an Uber was called, and we set off through the morning traffic. We will certainly study the map more throughly next time before booking. Nice driver, but hates Melbourne traffic. It was to be our first taste of this phenomenon, as we had never driven in Melbourne before and we would soon be amid the crush. Navigation set up, and co-navigator (me), whose job it was to read screen and report to driver. Anyway, we made it out of the city, (phew) and onto the much lauded Great Ocean Road! Ye ha!

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Australian adventures: One

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Isn’t this fun NaniViv & Kerry?

It was a busy couple weeks in Australia; a miscellany of many things, starting in Melbourne. We looked after our granddaughters for a few days; busy times indeed working around their activities. We visited the National Art Gallery to see the Triennial exhibition; a host of fabulous contemporary art. NaniViv (as I’m called), was travel-worn and hot, but the girls not. I suggested afternoon tea, and they suggested the city centre. We did both. It was fun trying on clothes at Cotton On, and buying a top each. Though they were extra excited when I suggested shoe shopping, having just lost a heel off mine at the gallery. Next came groceries, and the need for fruit ‘straps’ for a secret treat they wished to make for dessert. They had no idea these would harden on contact with the ice cream and cause a spectacular dripping.

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I believe in challenges, or I used to

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There is a new baby arriving any day soon, a great-grandson no less! With the baby being Australian, I immediately thought, ah ha! I’ll knit him a toy from my Australian knitted toys pattern book. It’s true, I do have such a book, and I found the perfect animal to knit. As an experienced knitter, and having made other toys from this book, I assumed it would come easy to me. However…

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Mimesis

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Mimesis is a word I’ll never forget, as it was written in capital letters on a whiteboard in blue, as the subject of my first ever writing class at university. I sat in the auditorium waiting for the lecturer to appear, wondering what on earth I was doing there, as I was a ‘mature’ student and didn’t have a clue what the word meant. I think after all these years I have got a handle on its meaning. It is when life is mimicked through Art and Literature. Yesterday I reversed this process, when my life happened to imitate literature – through inadvertently copying a character’s behaviour from the novel I am currently writing. The problem might be different: solo travel for my character, and swimming alone, for me, but the underpinning for both women is anxiety, and the desire to change.

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Pink roses can spell love too

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Roses by JFL Fowlds

If I hadn’t admired a friend’s post last week, where he posted a fine painting of flowers, I may not have thought of writing about the painting I have sitting on my study wall. There is a history to this painting of pink roses in an old-fashioned vase (circa late 1940s), which was possibly done as a study from an image in a book, or calendar. The book may have well been a ‘how to paint’ variety, showing step by step processes. My father clearly studiously emulated the image – whatever its provenance. The sketch, painted in watercolour on a primed piece of cardboard, was admired by those who saw it, including myself and siblings. I was a teen when my father died, and any art of his carries special meaning.

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This, it seems, is what sailors like.

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December 2023

Just two nights back, this was the view from our windows which look onto the sea, Auckland’s CBD and further west, where sunsets like to glow and sink into night. But before they do, they offer some stunning colour arrays, which have me squealing to Kerry, ‘Look at the sky, look at the sky!’ And he often follows me onto the patio to take photos. But this one, on the 28 December – WOW!

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The best flowering this Christmas

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View from my study window

I have written a few times about our native Pōhutukawa which we call our Christmas tree, because of its vibrant red blooms tipped in gold which look like decorations, and it always blooms around Christmas time. Last year the flowering was not so spectacular, but this December because of more constant rain, the flowering has been superb. Most of you who follow me will know that I have been working on a new novel, and have been writing like crazy to complete the first draft. It is almost there. So, before I embark on the last pages, I thought I’d relax with a little sketching. I have chosen to do a close-up sketch of emerging pōhutukawa flowers. Hoping it will look okay.

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An ode to a fruit bowl

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Dear bowl, I love you, with or without fruit. That is because you are both a vessel and an artwork. Some years ago I had the good fortune of working weekends at Palmerston North’s regional art gallery, where local artist Fran Dibble was exhibiting large boldly-painted bowls. What was even more special about these objects is that her potter mother had made the bowls for Fran to paint. Another great combination.

The finished sketch

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What lay behind the biscuit barrel?

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Considering the handle

Last post I was dealing with a crook back. Improving now, thank goodness. I was also recovering from a cataract operation, and that I found even less conducive to looking at a screen for writing, or a sketch pad for sketching. However, I can exercise again, and can see without peripheral bright light flashing, finally enabling me to do the post I’d planned. For two or more weeks I’d thought about drawing this old wooden barrel, which is a perfect container for loose tea. It did start its life as quite a different object which I’ll get to by and by.

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Back to the drawing board

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An expression meaning many things, but here I use it literally. The past month is almost a blur, with a second trip to Australia to see the youngest daughter, who lives some way out from Brisbane. I had in tow her sister and brother, he from Melbourne, she from Dunedin and me, Mum from Auckland. That explains my busyness, and lack of posts. It doesn’t explain my latest blip which was putting my back out, and although I have been doing regular exercise, I also need to sit down more. Perfect for getting a sketch done!

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Port Douglas: Part 2

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The second week in Port Douglas passed in a similar pleasant style to the previous one, seeing us mingling with our friends at the beach, or over drinks in the evening. The weather was warm and skies calm until the end of the week, when strong wind ruffled the sea and waves rolled onto Four Mile Beach. Kerry was undeterred by the strong wind as he loves nothing better than body surfing the waves. I was happier either walking or sketching. But this week had a different focus, because we decided to visit a wildlife habitat a short distance from the town. Never before, I must add, had I ever posed for a touristy photo like the one you see here. I only agreed as I love owls. What a hoot!

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Port Douglas: Part one

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Kerry and I were lucky to be invited to spend time with old friends in Port Douglas, North Queensland, Australia for two weeks. We landed in Cairns (a 5 and a half hour flight from Auckland), and if you look closely on the map you’ll see Port Douglas marked above it. It is an hour’s drive further north.

We left in winter temperatures and arrived to a summery 27 degrees. The sky was blue, the water likewise. Too cold for ‘stingers’ we were told. Thank goodness for that I thought, knowing there were many that had wrapped their tentacles around unsuspecting strangers’ limbs in the past.

Four Mile Beach Port Douglas early morning

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The best gift

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A few weeks back I posted about my husband Kerry’s special birthday (80th). He received wine, chocolate and song at his party, but when he opened a box-shaped present later that evening he was amazed. For on the wrapping paper sat the most unique, but perfectly delightful gift. Some of you may have heard of, or even owned a tin SPACE PATROL vehicle with Da Da Sound. This model is circa 1970’s and from China, although there were earlier Japanese models through the 1950s and sixties. But neither Kerry and I had come across this toy in our childhood, or vroomed one around a room. I know I was was overjoyed to see the Space Patrol toy, brightly coloured with stars and flashes and a ‘robot’ driver. I immediately planned to sketch this fabulous machine, and finally found the time to spend on it yesterday.

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The State of Performing Arts

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Last week I had the pleasure of seeing my daughter Lara Macgregor perform in a play which was especially written for her and co-actor Mark Hadlow, by Gregory Cooper, writer and director. The play debuted at the Professional Theatre Company, which Mark Hadlow recently formed in Nelson – a brave and brilliant move given the current unstable nature of the performing arts industry in New Zealand. I was pleased that Mark brought the play to the Sky City Theatre Auckland soon after its debut giving many more New Zealanders the opportunity to see it.

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What a couple of weeks it’s been!

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There is nothing so annoying as the computer when suddenly things go wrong. This was the case when I was compiling my post two weeks back. It wasn’t saving my writing, or images, and despite the best intentions, and help, the problem continued. I did manage to get a limited post out, that you may have seen, by closing and opening WordPress, writing one sentence and pressing save. Sound OK? You might want to think about doing that again and again, and still find the whole post, plus images still wasn’t saved. To top this IT mess off, I accidentally dropped my phone in the bath! I said @#$#@%** and a lot of other four-letter words. 

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One Still Life and another

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The week started well. Get hold of a good book and there’s no stopping me; waking early and reading for hours until the clock reminds me it’s way past getting up time. I’m talking about Sarah Winman’s novel Still Life. A warning; there is nothing still about this narrative. It contains great characters, settings, and themes like unrequited love that keep you turning the pages to find out, do they? Or don’t they? until the end; or if you are a lover of art, then this is for you, as there is plenty in here to keep you enthralled. Especially in Florence, where a good deal of the action takes part. To quote from Patrick Gale who writes on the cover: ‘Harnesses big-hearted storytelling to a dizzying historical sweep to celebrate love in all available colours.’  

 So, with Still Life of one sort on my mind, the other Still Life beckoned to me, or rather, I spotted the large bowl of fruit on my table and knew what I must do and that was to sketch a still life to accompany the little rant above.  Less is more sometimes, and thinking this I selected two pears and a small apple to comprise my Still Life. 

I have used Faber Castell artist-quality coloured pencils, a combination of Apple Green, Cadmium, Yellow Ochre, Brown Ochre, Van Dyke Brown and Dark Sepia. I love nothing better than starting with a fresh sheet of drawing paper and seeing how my marks become solid forms through the rendering of colour and tone. I was pleased that this sketch took just an hour to finish, and not three days like the book. However, I love both versions of Still Life! 

Still Life was first published in Great Britain in 2021 by 4th Estate

One I shouldn’t post perhaps

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This past week or so I’ve been attempting to build the word count on my novel, and I have done reasonably well – a small pat on the back for that. However, I decided I’d take a short break and do another sketch. When I took the photograph a while back, I thought ‘that’s nice’, and with that mediocre response I chose to work up a sketch from the photo. Probably not a good premise to begin with. Or, was it the new phone, with the new camera which is brighter in colour than my last one?

Anyway, I kept going with this sketch, and kept adding this and that, then trying to remove this and that. I guess I should have given up at this stage.

The this and that were the various mediums I tried. I am not a watercolourist but sometimes I can play around and have something turn out okay, but this wasn’t one of those times. I used Aquarelle pencils too, and remembered how bright they were once I put water through the pigment. I used water-soluble ink pen, too and the ink spread too far! So I kept adding and taking away until I came up with the next version of messing stuff up.

I added more pencil across the sky and hill, not adding anything in my opinion except to make the sketch muckier. But I decided to show the sketch regardless, as it just goes to prove work doesn’t always turn out as well as it might.

I am not going to beat myself up about this one, but really, I have been making the same ‘mistakes’ so long, you’d expect that I’d learn when to stop, wouldn’t you? I could have just got out a new piece of paper and done something different. Left the watercolour bit for another time.

Better luck with your work. All the best, Vivienne.

An interesting fact about Turner

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Yacht approaches the coast: JMW Turner c 1842

Last week I visited the Auckland Art Gallery Toi o Tamaki to see the Light from Tate: 1700s to Now exhibition. This was an interesting collection, as it featured many facets of how light was and is represented in art. The work stretched in time from the 18th Century to the present day. The first paintings were from Joseph Mallard William Turner, and anyone who has been fortunate to visit the Tate Gallery in London, will have viewed many of his famous landscapes with vast skies filled with light and texture. And for all that I enjoyed the whole show, I wish to write about a few paintings which appeal to the type of work I like to do.

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I am in love with clouds

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Looking towards the CBD from Devonport waterfront

I often take photos that appeal to the artist in me when out walking. Clouds are a particular favourite of mine to draw or paint and I have sketched them many times using various mediums. A couple of weeks ago the clouds were dark, low-hanging, and extremely threatening, but to look at, they were spectacular. I decided to wave aside any qualms about attempting to sketch clouds which were almost black, and yesterday grabbed a watercolour pad and got stuck in. I sketched the outline of the whole scene quickly, using a dark water-soluble graphite pencil. With a size six watercolour brush I wiped water through some of the pigment edging the clouds and left the work to dry.

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A writer’s treat

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Monty Soutar and the first book in the trilogy Kāwai (line of descent, lineage or pedigree).

Last week saw the Auckland Writers Festival very much alive in our city. I did not attend many events as the week was already flooded with other activities. I wish to write about one event though, of a discussion between Tracey Morrison (Te Arawa, Ngāi Tahu), a well-known New Zealand broadcaster, and Monty Soutar ONZM (Ngāti Porou, Ngāti Awa, Ngā Tai ki Tāmaki, Ngāti Kahungunu). They talked about his latest book Kāwai, a shortlisted novel for the recent Ockham New Zealand Book Awards. Monty has received commendations and awards for his scholastic achievements and work to raise the understanding of the history of Māori in many fields, and Kāwai is his first venture into writing fiction. If you are thinking that the discussion about his book might prove a little dry, or boring, you’d be wrong.

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Close to Home

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This is my second attempt to sketch and write a blog this week, the first effort was not great – more wilting lilies. So, I decided to draw a fantastic tree for which Devonport (where I live) is quite famous – the Moreton Bay Fig. This large evergreen tree of the Mulberry family happens to be native to Eastern Australia. Lucky Devonport has many of these fabulous giants based around our library. They are so big they almost straddle the road, and I always stop and admire the amazing root systems which have tourists clicking their cameras. I became the tourist this day and took a photo while out walking. This will make a nice art project I thought.

Half-way

I started sketching using a water-soluble graphite pencil, which has a nice thick, soft lead. My idea at first, was to make this a tonal wash sketch, using different techniques. I have tried using a white blockout lumocolor before, when there are considerable white spots in the texture in tree trunks, and would be too fiddly to leave so many bits of white paper showing, as I usually do. The blockout has worked well when I’ve used a straight watercolour wash. However, it doesn’t work that well with the water soluble graphite (for me anyway), as it leaves residual grain. So, I left the work to dry, and then tried to erase the extra pigment which had penetrated the white blockout. So now my work looks grubby, which is not unusual when I try using water! Never mind, the watercolour paper is 33gm Hahnemühle and can cope with heavy treatment.

Finish

I was reasonably happy with the top sketch but could see I had missed the proportion somewhat bottom left and top right. I did adjust that, and feel it is better. I also used a clean Staedtler eraser to lift off some of the unwanted tone. Done. But now, my task was to work more texture into the sketch, and to add limited colour. I used an 8B graphite pencil (not a water-soluble one) for the extra texture on the tree, colour pencil for the moss and the smattering of leaves. My conclusion is that maybe it’s okay to enjoy these magnificent trees while out walking, and forgo the urge to draw them – just saying.

An almost Still Life

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Again, I have a vase of flowers on my table, lilies this time, which were resplendent for over a week. As the flower heads opened the colour went from a rich yellow to a lighter tone as the petals lost lustre. Yesterday morning I noticed how papery the petal tips were, then, oh no! they began to drop onto the table. A hasty trip to grab a watercolour pad from my art shelves; paint, pencils, brushes, pens and a jar.

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Three stages of a drawing

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Initial 20 minute set-up

I took some photos of a beautiful native Nikau palm while walking last week, which I felt compelled to draw as the bulb was large and particularly colourful. I needed a break from my writing, and the time to let new ideas gel, so I started the initial sketch yesterday and finished it today. Sometimes I wonder why I write or draw, as it often more difficult that first envisaged, or let’s just say, either art form can be hard work when in progress, but feels great when done. Similarly with the novel. You get an idea, sketch it out and keep going until the work’s finished. It’s just the tools which differ. The tools I used for this sketch are: artist-quality polychromos pencils. The colours: Apple green, permanent green, chrome oxide green, lemon cadmium, dark sepia, brown ochre, van dyke brown, Indian red, sky blue, and light grey.

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All Sorts of Lives

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Katherine Mansfield (1888-1923) would be New Zealand’s best known writer of the short story. Thousands of students would have studied her in university; others would have read her just because she writes so well. I belong to both those camps. Katherine was born Kathleen Mansfield Beauchamp into a prosperous family, who lived in Tinakori Road, Wellington. She was bright, gifted in music and writing from an early age. But she felt a misfit in her family, thought her home ‘dull and claustrophobic’, and once she’d visited London as a teenager, yearned to live a liberated, and bohemian life, preferably abroad. She left for London on her own aged nineteen, became the writer she dreamed of being and never returned home. It is testament to her skill as a writer that we are still reading about her a hundred years after her death, and it is the book written to mark this centenary I especially wish to write about.

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Visiting the past

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Lyall Bay looking surprisingly calm

The trip to Wellington last week catered for two needs; to see my friend Jayne, and to gather research for the book I am writing. Jayne and I met when I lived in the area many years ago. We had a lovely couple of days together, one of which involved Jayne offering to drive me around the areas I wished to research. So, we headed across town, through the ‘tooting’ tunnel and towards Lyall Bay – one of the places the protagonist of my novel lived in the 1970s. I’ve called her Marjorie and she is based on a very complex woman I used to know well. Back then she liked to be called Mother.

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The artist and the wilted bouquet.

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Almost done

Sometimes the days are too filled, don’t you find? The past weeks certainly have been. There was the matter of extra people in the house, followed by my writing critique group Monday, which meant writing new scenes for my novel that I wished others to comment upon. Book Club was on Tuesday, and Wednesday I spent time with my daughter, as it was her penultimate day before departure. First thing today, I dropped her in the city, returned home and spent a number of hours cleaning up the place as tomorrow the plumber is coming early to fix our shower, and, someone is delivering a new bed. They are expected around 7am! And that’s early for a ‘retired’ ( or I should say ‘tired’) person like me.

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Living with drama.

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I mentioned in my last post that my daughter Lara was staying with me, as she is directing a show for the Auckland Theatre Company – opening night this coming Thursday. That is … if the shocking weather we are currently experiencing here doesn’t put pay to that. I could say, well it won’t be the first time a show has been cancelled, and some of you may even think, so what? I’ll give you some facts here: personal ones. My daughter is an actress and director of stage; whether it be a drama, comedy, or a play with music, as is the current show.

All people associated with theatre in New Zealand have had it exceptionally hard since Covid slipped through our borders. Every show starts way before the curtain goes up, with the programme planned, often years in advance, before the call goes out for auditions. With other careers, during Covid restrictions, many people were able to work from home, thus keeping some consistency of work flowing. For the performing arts sector; face to face auditions could not be held, which meant actors had to video their own audition pieces and send to the director or directors involved. And even if they were accepted for a role, there were no guarantees that the show would go ahead.

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Little did we realise

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My daughter was staying for a while as she is directing a stage show in Auckland, and suggested that she could mind Ninja, our tabby, should we wish to have a few days away. “Hawkes Bay,” Kerry and I said in unison and set about looking for accommodation. We booked a cottage in Clive, which is equi-distant between three centres; Napier, Hastings and Havelock North. Fabulous beaches, bike trails, wineries and food abound in this region – a five and a half hour drive from Auckland. The cottage was new though named Colonial, as it was built to look like the small wooden homes from the late 1800s. It was delightful, inside and out and the bed super comfy, especially since Ninja wasn’t hugging our space (don’t tell him).

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The story behind the bookmark

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It began many years back, when I was was helping a ten-year-old with ideas for a story. In a nutshell, her ideas fed mine, and set me thinking of my own story for children. This would of course be an illustrated story, done by yours truly. After writing many drafts, I decided on creating the first illustration; something that might work for the cover. Apart from the grandfather, who features in the story, the drawing above features all the other main characters in The Lost Civilisation. From top left, clockwise; the parrot Herakles, Penelope, Achilles the dog, Helen of Troy, the cat, and Archimedes, the goldfish, all named after figures in Greek mythology.

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When you need some passion in your life

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1st session, using artist quality colour pencils

I’m still on the botanical track – sorry, if you were thinking I’d written a Mills and Boon style romance – although the passionfruit flower I’ve sketched is as beautiful to look at as its fruit is to eat. This particular plant was thriving a couple of years ago on a wall in my relative’s garden, and thinking it would make a great drawing I took a photo of a flower and the fruit. Alas, the plant shrivelled and died in the heat the following summer. So, I guess my sketch is a kind of memorial to that luscious passionfruit vine which died prematurely. I could have sketched this in one sitting, but decided that I’d like to take it slowly. I sketched it in three short sessions, spread out over three days, as family were visiting.

Final session

I continually sharpened my pencils and kept changing from one tone of green, or purple, to achieve the desired effects. While drawing the initial sketch I wondered how I could show the delicate white tendrils so they would show against the darker background of leaves. This was a good time to leave it alone. On return I began fleshing out the foliage and used an olive green, apple green, and a lemon cadmium for highlights. For the stamens, I used dark violet and magenta. Picking out the edges was tricky, as I wished to keep their delicate appearance, yet I needed to add depth of tone in the line, in order to have the stamens show against the green.

I applied more colour to the foliage, yet left the sketch loose around the outside, so the flower would remain the focal interest.

A significant sketch

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Metrosideros ‘Tahiti’

The significance is that the Pōhutukawa (Metrosideros), with its showy scarlet flowers around Christmas, has since shed those beautiful blooms to the wind. The Pōhutukawa comes in many forms and sizes, and it was the shrub I came across in my relatives’ garden which took my fancy on Boxing Day. This was the Pōhutukawa (Metrosideros ‘Tahiti’), a compact shrub approximately 1m x 1m with its yellow flower stalks and the soft sage green of the young leaves I thought delightful. Well, to this artist’s eyes at least. I had an immediate desire to draw it, and trimmed off a piece of branch with a pair of secateurs (with permission from said relatives).

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Ninja’s take on Christmas

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Apologies for my lack of posting recently. Not yet back to my old self, although I have aged a year since I last wrote. So, maybe that should read, I am now my older self. I would like to introduce you to another family member – Ninja. My tabby Ninja is a delightful, and self-willed cat, but a great subject to help me out at this moment. I imagined that I could set up a great photo shoot where he meets Father Christmas and here is his reaction! Gee, thanks Ninja.

Despite Ninja’s disdain for this festive chap, I would still like to send you my very best wishes for the Christmas period. Here, in New Zealand we begin December 25th before anyone else, and shall be welcoming in the day approximately twelve hours from now! I hope that Christmas finds you in good health. And happy sketching to all those artists out there. Vivienne.

Have you ever sketched a stone?

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Last post, I talked about the Heide art museum and Barbara Hepworth’s sculpture. One piece, sculpted from stone had instant appeal to me. While examining it from all sides, and peering into the carved out holes, I decided I would like to draw it once I was back home. Why draw a stone? I hear you ask, and the answer for me is simple. I love drawing texture. I would have liked to sketch in the museum, but that was not possible, so, the next best thing was to take a photograph, knowing I could work from it later. Little did I realise at the time, that I was going to be stuck indoors as Covid came to visit, and thus my promise to draw the Hepworth came to pass.

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Travelling, and art in Melbourne

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I feel a bit guilty, not having posted for some time, but not having the sanctity of my study nearby did that to me. And travel. I’ve been back a couple of days from a trip to Tasmania and Melbourne, Australia. Tasmania was new to Kerry and I, but not Melbourne, as we have visited often because of family and friends who call it home. The whole trip was eclectic, including the changes in weather and temperatures. Looking at different land forms, buildings, creatures and art. I still feel a little unsettled, but let me begin with some art that we saw.

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On the road again

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I’ve been biking in Central Otago again, undoubtably one of the most picturesque areas in New Zealand. It has a multitude of walking and biking tracks, if that’s your thing. And biking is a thing for my in-laws and me (to a lesser extent). Or, maybe I should rephrase that to the less brave. I was down here almost two years back with Kerry, to ride part of three tracks: the Rail Trail, The Roxburgh Gorge and The Dunstan Track, some of which we were about to repeat, but rather differently as it turned out. That’s me above, on the Roxburgh Gorge Trail last week.

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Keeping a promise

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Some months back, when writing about my newly published short story collection, l promised to post any good reviews. I did receive a very good one last month, but it was in a newspaper and difficult to copy clearly. However, much to my surprise, another very positive review appeared last Friday in a website Booklovers. Chris Reed reviewed the collection, and what he said brought tears to my eyes – of joy. So, I would love to write about something joyous, when often there seems little to be joyous about (I’m talking World News here). I had to trim the page for a screen shot, but have included the link for the full read below.

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The Last Post (on life studies)

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Nine weeks of life-drawing sessions have gone by in a flash and mostly my experiences were happy ones. I had hoped that we would repeat the charcoal (outside in) method of shaping the figure (see August 4 post), but no. I’m showing a few sketches I quite like from the last two classes. There are always reservations to what could have been done better, or differently, and the five images below show different mediums and time taken for various poses.

15 minute sketch: 6B graphite with diluted black ink/water wash on Hahnemuhle paper.

This seated pose came after a raft of fast ink sketches using a thick brush on newsprint, which I DO NOT enjoy doing. I was pleased when the longer poses came, and I switched to a lovely cream 140g Hahnemuhle paper, which works well with many drawing mediums and handles a light wash well.

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If at first you don’t succeed …

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Paint brush and black ink from previous class

I am talking about art classes and my sketches again. The previous week, I didn’t enjoy sketching using a paintbrush loaded with black ink on A1 sheets of newsprint.

I had, in the past only used paint with a brush that size on board, or heavy paper. Normally I would have sketched using a dry-brush effect. But that day, and many sheets of newsprint later, I knew that the combination of thick brush, ink and heavy application didn’t like me. Or, maybe it was me that was thick?

This week, we had the same model. Fortunately we began with charcoal. Ye ha! As stated before, I think charcoal works well on newsprint and its ease of use is perfect for fast poses. In fact, it glides across the page.

Better luck today I thought.

Two minute charcoal sketch with focus on line

I love the way you can move charcoal on the paper, and get very grubby fingertips in the process. It helps that we were using large easels and A1 paper, as it gives the arm room to move fast to catch the pose. It’s important to gauge the shape of the model and the spaces created with the pose. For example; the triangular shape between the stride, and the negative spaces created around the figure too. Using the paper’s edge as a guideline helps, as you visually judge the distance between the shape and the straight edges. Then it’s look/sketch/look/sketch… until the time is up.

More charcoal, aiming for line and moulding the form.

It was suggested we lie our charcoal stick on its side for the next sketches, and I did attempt one of two with varying degrees of success. But that is to be expected, when the pace is fast and you are presented with doing something in a different way from usual.

It is my natural inclination to sketch line before moulding the figure, and these were a combination of the two.

I didn’t think you needed to see the bottom half of the page. Nor the drawing which followed, where the proportions were off.

And then, it was into line again!

Two minute charcoal sketch

Gosh, I was spinning, as next we were onto ink sketches, using our implement of choice for a fifteen minute pose. Ha!I I chose my trusty pen with a long refill cartridge and sketched wildly. I decided to add colour wash near the end and duly applied it with a size 7 brush. Oh no. I hadn’t realised I had the soluble ink refill in my pen, so I quickly left that sketch alone, knowing I could work on it at home. Onto another fast pose to get at least one ink sketch done…

Very quick sketch using water-soluble ink, with light water wash

I like using this ink, if I’ve remembered it’s in the pen! The line is more forgiving, as it is made movable by the water brushed on. The water does need to be used sparingly for best results.

All in all I had a very enjoyable morning. Next week, I hope we’ll get to use some colour again, as it is the penultimate life drawing session.

Back to the written word

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The heading is a double entendre, I believe, although I didn’t realise the link until later. After viewing the sketches from last week’s art class, there was no way I was going to advertise them, and with my novel now back on track, I thought a post about its progress might be more inspiring than looking at the worst drawings I have done in some time. The old learning curve at work again! However, I am pleased to be making progress on the novel, coming on the heels of readers’ praise for my recent short story collection.

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Another life drawing experience

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Wednesday was art class day, and I really should have stayed home. Not because I did bad work, which was surprising as I’d hurt my back and felt very under par. But, since I had been enjoying the classes so much, I headed down to the ferry at 9am. It was on time, which meant I could easily make the early bus from the waterfront up to the art school. That bus never came, and I arrived late to class. The studio door was shut and a notice said KNOCK BEFORE ENTERING. My tutor greeted me grumpily, and then, I needed his help to erect the large easel (grovel, grovel). It took me ages, to collect paper, peg it to the board, and get out my drawing gear, which meant there were just a few seconds left to sketch the first pose. “Try and capture the model’s emotion,” the tutor said. I think I captured my own splendidly.

I used willow charcoal stick here.

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Life Class Week Two

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6B graphite pencil and soft stick pastel

This week, the group were asked to focus on line rather than form for the quick sketches. I was working on A1 newsprint, pinned to board on a painting easel. This was a rather different approach from the previous class, where I sat straddled on a wooden artist’s Donkey. In that situation I could rest my arm when I chose. With all the poses for this week’s work, I was standing, using the arm and fingers stretched and moving the mediums quickly on the page. The first sketch is in the middle, superimposed by the blue pastel sketch, and last, the pencil sketch of the seated model. We did several more quick poses, using charcoal until the break.

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Back to class!

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5-10 minute pose using stick charcoal, rubbed with my fingers.

Today I began my first Life Drawing class for some time: one of nine. I guessed that I’d be somewhat rusty; but when the stick charcoal began to side across the newsprint paper, I was in my happy place. I have always loved sketching the human form, and with a very good model it is about as good as it gets. This morning I chose a ‘Donkey’ bench to use, which for the non-arty is a narrow bench, with a stand at one end where aboard rests, and where one clips on paper to use. The user sits astride. Mm, some years have passed since this was may preferred seat for such sketching purposes. Next time, I’ll grab an easel to stand at, and have a Donkey nearby as back-up.

5 minute pose using stick charcoal, rubbed with my fingers

Our tutor guided what mediums we should use for the session, and was I pleased he’d selected stick (willow) charcoal for most of the poses. Charcoal is my favourite drawing medium when it comes to figure studies, and I was pretty happy with these first quick sketches after some absence from the drawing board. Several years back, figure drawing, tutoring and exhibiting was almost a full-time occupation for me. I used to engage models when readying for an exhibition, and grew to know just how vital the connection between model and artist is, to have a successful association. This takes in the models’comfort, giving the model space, and ensuring plenty of breaks throughout. The model needs to feel part of the group, to be shown respect, and not be left feeling ‘it is just a job’. Without the model there would be no life drawing – and for one, I wouldn’t be happy with that scenario.

I am posting just two sketches today, as I have yet to pack my bag for a trip to Christchurch to spend time with my sister. Don’t worry, I’ll be back in time for my class next week, and I shall be posting each week, all going well. I’ll mix the media up over the weeks, and that will be fun. Until then, stay well and keep posting. Vivienne.

Caravaggio revisited

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From The Soul and the Blood advertisement

Two weeks ago I took myself to see the film Caravaggio: The Soul and the Blood, which was part of the Italian film festival showing in our local cinema. I am a big fan of Caravaggio, and three works in particular, which appear in the movie. To think that I almost missed seeing these works in the flesh when visiting Rome some years back. The accidental way this came about is quite funny, I think, and why I’m reposting the story I wrote in 2018 about this experience.

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O Christmas tree …

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lge pohutukawa

Pōhutukawa – the NZ Christmas tree

I had thought to summarise the year; my inaugural year of posting blogs on Artistry, but changed my mind when the Pōhutukawa began showing off all over town. The Pōhutukawa (Metrosideros excelsa), a tree native to New Zealand, is affectionately named our Christmas Tree, with very good reason. There’s no need for tinsel, baubles or fairy lights if you happen to have one of these in your garden.  Continue reading

Nostalgia at Christmas: Sketches from Spain

Last week I was reminded of my sketch trip to Spain in 2019, and I went looking for the sketchbook I’d used at the time. Previous to leaving, I’d joined a travel sketching group, and in preparation we were asked to choose something to sketch from a favourite place we’d visited. So I chose a photo taken twenty years earlier from the cathedral Sagara Família in Barcelona.

I was high in a tower which overlooked the city and focussed on the sculptured doves in front of me. I used water-soluble ink for the foreground. It’s wise not to load the brush with too much water when you pick up the ink pigment. I used a diluted watercolour for the background.

Some Images from the sketching trip to follow

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The beauty around us

I don’t know the name of these

These past months have seen me with numerous dental and periodontist visits and quite frankly I’ve not felt great – hence the lack of scintillating posts. However, Kerry and I recently visited a nearby community garden at Forrest Hill (Grow Forrest Hill), to see how differently other gardens are run, compared with our Devonport community garden (Ngataringa Organic Garden). While he chatted to members, I took photos of some beautiful flowering plants. I love nature and colour, and focussing on beautiful colourful subjects is a good way to avoid ruminating on one’s troubles I’ve found. I do hope you enjoy the images I’ve selected.

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The best laid plans for a short southern sojourn

The delightful town of Kaikoura

Kerry and I booked a short but interesting trip to Kaikōura, as part of a Great Journeys NZ trip. This included: a train ride, an overnight stay in a nice hotel, a dolphin excursion (or whale, or albatross watching), and a return train ride from Christchurch. We flew from Auckland to Christchurch, stayed overnight in an hotel, and with some excitement grabbed a taxi early next morning and headed to the station to catch a north-bound train, as Kaikōura is in the North Canterbury region in the South Island. We lugged our bags into the crowded station, went over to the ticket office, and after a quick exchange with the staff, found that our train had departed … Let me gloss over that part and leave you to fill in the dots any way you wish.

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More about my novel, Mrs Forsythe.

As several visitors to my site have asked about purchasing a copy of this book, I thought it time I gave the details of where you can purchase it world-wide. See poster above for the distributor’s contact. Also, I include a recent review of the novel, which I am most happy to share with you all.

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A memorable read

Recently I began helping out at a second-hand bookshop, and came across Memoirs of a Geisha, by Arthur Golden. The title was familiar, but after reading the foreword, decided I’d missed reading it somehow. It was published in 1998, three years before I went to live and work in Japan.

I knew little of the country when I arrived, but when It came to time leave, the place and its people were a part of me.

I made close friends, and was invited into their homes, to enjoy meals, attend art classes, and cultural events – such as New Year celebrations and rituals. These memories floated through my thoughts as I read Memoirs of a Geisha.

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What research can reveal

I have been working on a ‘memoir’ in pictures based on my younger years and have been wrestling with just how I wished to present this. You may have seen my last post, which shows some progress with the sketches, and although I think I know what I wish to portray, I am still looking for how I shall achieve this. Naturally I have been thinking back to early memories, and particular things which have been salient throughout my life, and helped shaped my adult self. Books certainly. So, yesterday I looked up the names of books which I remember loving in my Primary school years. Five stood out.

‘What Katy Did’ series, by Susan Coolidge (American), Seven Little Australians by Ethel Turner (Australian), My Family and Other Animals by Gerald Durell (British), The Silver Sword by Ian Serrailier, (British) and The Story of My Life, by Helen Keller (American).

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Well, there is a little progress

Original rough, left side of double page spread

Last time I talked about my memoir with pictures, I showed a few pencil sketches of some pages I had nutted out. I have now sketched more pages, attempting to make a storyboard of the tales I wished to tell, or portray. This bit was easy. I love sketching in pencil and plotting scenarios based on my experiences when young, that was no trouble what so ever.

I studied other graphic novels to get a feel with how I wanted mine to look: a mixture of double pages in colour or black and white, and several pages with smaller images, as you might see in a comic, with speech bubbles etc., But then, I decided I should do at least one trial page in full colour as I imagined the larger pages should look. But, what medium to use?

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A focus on line to achieve form

As I mentioned in my last post, Thursday would be the last of four Life drawing sessions held locally. Again we started with numerous quick sketches and we were encouraged to keep to pencil throughout. But I couldn’t resist using willow charcoal for a few the poses, as I particularly like the medium. I did use pencil, but it didn’t respond so well to the reasonably thick cartridge paper I had brought with me. The above poses were only a couple of minutes long, and are mere flashes of line on paper.

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Looking at light on form

Willow charcoal & charcoal pencil, 1996

I went to my first Life Drawing classes aged fourteen with my dad. My brother and sister also attended at various times too. Dad was passionate about art and thought one of his children might catch the bug. However, I was the only one who ended up at art school, where I continued to sketch the figure. It was something I loved doing then, and have continued doing from time to time, ever since.

The above sketch was part of an exhibition of my figure studies completed that year. I hired a model, and worked in a studio above my garage to produce the work. It was great to have a comfy sofa the model could relax in, which resulted in many nice long poses. All the work sold, which was good, but when I realised I wished to keep one (the above image) for myself, on enquiry I found my agent had sold it that very day. Lucky I had taken a photo.

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A promise kept

Cologne Cathedral

In last week’s post, I promised that you would see another sketch. Well, I did keep my word, and here it is, taken from a photo I took of the Cologne Cathedral on my recent travels. If you have followed my site, you will know I love sketching clouds, and that is why this sky over the Cathedral appealed to me. Nothing I like better than a great mass of brooding cumulus to get me going with the pencils.

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